A film soundtrack is one of the essentials used by filmmakers to not only keep audience’s interests, but also express some esoteric message within the film. The best soundtracks are the ones in which each song seems to tie together seamlessly. In order for a soundtrack to comply with this list, musicals were excluded, as were most films that centered around the lives of musicians, with a few notable exceptions.

Capturing the nostalgia of the late 70s and the debauchery of the early 80s, PT Anderson’s soundtrack sounds like a great concoction mixed simply to get you drunk off of his already Olympian film. Both volumes contain music that, when seen in the film, contain the tonal equivalent of an epiphany.

The legend of Spinal Tap was due largely to the insanely uproarious subject matter of their wonderfully-realized parodies of nearly every genre in music, defining an unforgettable era and making us laugh about it all the way. The soundtrack by which all parody soundtracks are to be measured.
Since David Bowie would not allow the filmmakers the rights to use his music in the story of his life, they were forced to write songs that not only mimicked the Thin White Duke, but to do it nearly flawlessly. The result was a classic amalgam of Lou Reed, T.Rex, Iggy Pop and other contributors who were able to capture the essence of 1970s England without losing the aura that makes them enjoyable in our own time.
The ultimate 70s rock mixtape, Led Zeppelin mingles with Elton John and Iggy Pop on this masterwork courtesy of Cameron Crowe, who knows a thing or two about rock and roll. The addition of David Bowie and the incendiary Stillwater keep the flow going till the end. All killer, no filler.
By combining nostalgic favorites such as the Who and the Kinks with the beautiful score of Mark Mothersbough, Wes Anderson was able to create a compilation of finely tuned tracks that remains as memorable now as its original release.

Once again, music with a message that only keeps you aware of the power of the film as a whole. From Bob Dylan to the choral Beatles finale to the marvelous score, each song carries its own weight, switching from rocking to lighthearted to contemplative without skipping a beat.
Though not as seminal as 2001: A Space Odyssey, the Barry Lyndon score remains one of the most beautiful additions to modern romanticism, and even won the Oscar for Best Adapted Score for its efforts. Stanley Kubrick took the most interesting movements of the era, substituted a few others, and came up with an inspirational and breathtaking conglomeration that stays with the listener long after the movie reaches its climax.
The Coens show their love for The Rolling Stones and express their faux-disdain for country rock in this marvelous ode to the bright side of darkness. A wicked set of tunes that never go out of style.

The ultimate 60s soundtrack. Everything you ever wanted to know that was great about the era can be found in this music, swinging its hips from soul to blues to rockabilly and beyond. Nowhere else is Buddy Holly, the Platters and Bill Haley in such perfect harmony.
Best heard while viewing the film, this is a feast of cerebral waltzes and monumental epics that increases in sentiment with each passing year. The immortal “Also Sprach Zarathustra” became the anthem of classical soundtracks since its appearance in this film, and that hasn’t changed down since.
Notable Mentions: Into the Wild, Pulp Fiction, The Matrix, Natural Born Killers, The Crow, Lost Highway, The Departed, The Big Chill, The Devil’s Rejects, There Will Be Blood.
Contributor: F. McClure


























I am just throwing this out there: Walk Hard soundtrack. Where else is there songs mimicking Buddy Holly, Bob Dylan, and Johnny Cash on one disk, as well as songs about Midget rights and the *****ual undertones of a duet. And this is all topped with the sincere and moving “A Beautiful Ride”. That song gets me every time
I would note the American Beauty SCORE for this. Thomas Newman absolutely nailed it.
Requiem for a Dream’s score is great. This is soundtracks though
uh, the rocky horror picture show????
Jajdude: no musicals. Read the intro first, next time.
Two soundtracks that were definitely missed, and should not have been:
Lost Boys.
Highlander – all Queen.
Fun list tho’.
Great list. I enjoy the Cool World soundtrack, even tho the movie sucked, as well as Rules of Attraction, Go, Forest Gump, the Waterboy. I love a good soundtrack.
I would have liked to see Philadelphia on this list
eyes wide shut?
and no hans zimmer? c’mon…
I honestly cannot accept this list is anything more than a joke. Where the hell is Cruel Intentions? That is by a long stretch the best soundtrack ever.
Hey! WB, rushfan! We missed you on the recent political lists…
too bad you missed a couple of the greatest soundtracks ever!!
Dirty Dancing
Dazed and Confused
Purple Rain
maybe for the next list then??
punisher had a great soundtrack
jfrater: The correct term for the Richard Strauss Opus used in 2001: A Space Odyssey is actually Also Sprach Zarathustra. The song “Also Sprach Zathustra” was inspired by the Friedrich Nietsche philosophical work “Thus Spake Zarathustra”. Therefore in the bit about the title song of “Space Oddysey” you are quoting a book as the title song. Just a minute factual error.
Trainspotting!!!
Judgment Night soundtrack easily top 10.
that, alone, started the metal/rap duos that are everywhere today.
Look it up.
the groupings are incredible.
GARDEN STATE. HONORABLE MENTION AT LEAST
If you like Cat Stevens I would add Harold and Maude
There really are too many to make a list…unless you limit it to genre or decade.
Instantly I thought of Amadeus, Repo Man, The Commitments and Pulp Fiction, but there are a lot of good ones here.
dudeee wheres topgun?:O
too bad everyone has different taste….
has anyone mentioned snatch? I would have included that
Kill Bill, Lord of the Rings, The Godfather
And don’t get me started on musicals
There are just sooo many. I’m partial to Braveheart, JCSS, and many that have been mentioned like Somewhere in Time, Armageddon, Jurassic Park and The Big Chill.
Honestly the only reason I watch HArold and Maude was for the Cat stevens soundtrack. I do not understand how that is not a top 3.
I second Garden State (‘Winding Road’ being a highlight).
A few more personal favourites that spring to mind…
Reality Bites (Wynona and ‘My Sharona’ – ooh mama!!);
Once Were Warriors (Kiwi ragga and Jake on acoustic);
Kiss of the Dragon (if only for the perfection in the placement of The Congos ‘Don’t Blame it on I’ in the opening sequence);
Stand By Me;
A Clockwork Orange; Ludwig V’s choral masterpiece – artistic perfection, and the contrast with the hideous violence;
Southern Comfort; Ry Cooder’s haunting bayou slide.
Hitch*****movies in general (special mention for Psycho);
Finally, I’m surprised that jfrater hasn’t *****ed about the omission of ‘Dancer in the Dark’
Oh, and, good job F. McClure.
Across the Universe! Sure the singers weren’t spectacular, but you can’t touch the Beatles songs themselves!
Oh, I just read the “musicals were excluded” condition. I retract my statement.
Kubrick didn’t bother to get Ligeti’s permission for 2001; legend has it that the composer was justifiably infuriated that his music was stolen by some Hollywood director. “But the movie has made your music famous in America!” Ligeti was not the least impressed. (I should look up this story; I suspect I came across it in the musicological literature (yes, scholars work on film music!), but Ligeti’s side of the story hasn’t made its way to Wikipedia.)
cc: you are right – I think it was excluded from the new release version for that reason.
I still think (John) Williams can’t be beat…
What about that all-time classic High School Musical?
I’d have to second the motion on differentiating between a score and a soundtrack. I also think “Saturday Night Fever” and “The Blues Brothers” should be on the list.
One of my favourite soundtrack albums is “From Dusk Till Dawn”. The song “After Dark” by Tito and Tarantula is fantastic…you may remember it from the Selma Hayek scene with the albino boa constrictor. Cheech’s “Pussy Lovers” bit is on it as well.
O Brother where are thou?
Thanks again for an interesting topic! I think the best-of-all-time soundtrack is the one from O Brother where are thou?
I discovered Bluegrass music with this movie, and its just great to listent to (George Clooney is also singing!)
I also think Forest Gump deserves some recognition too.
Both of these have been mentioned several times – the only two sound tracks I own, and that I LOVE, are The Harder They Come and O Brother, Where Art Thou?
ones i expected to be on there
Pulp Fiction
Garden State
O Brother Where art thou?
Forrest Gump
Shawshank Redemption
Crash
isn’t it amazing how much atmosphere a great soundtrack can give to a movie?
for example, Kubrick’s The Shining is amazingly tense almost from the beginning because the music never lets you relax. rivers of gushing blood and a pair of creepy twins probably would be a little stressful anyway, but when your sphincter is already tight, wow. now that’s a good soundtrack.
oh yeah, i forgot to add both Kill Bill’s
No Top Gun this is blasphemy
I’m glad Kubrick was included twice but A Clockwork Orange could’ve been included just as easily as Barry Lyndon and 2001.
O’ Brother Where Art Thou might be the most glaring exepmtion from the list. Great list though.
Great topic! But my votes are for:
The Nightmare Before Christmas
Unbreakable
Garden State
Ocean’s Eleven, Twelve, and Thirteen
The End.
ehem.. grosse pointe blank anyone? hmmm HMMMM
“Once” needs to be on this list!!! If not #1!
I really liked the music from boondock saints but i don’t think there’s an actual soundtrack for it
This list is a sham until The Lost Boys is in there.
The omission of Garden State makes me weep. It’s an amazing playlist and songs are used in all the perfect moments. It’s one of only three Soundtracks I like to listen to on a regular basis, the other two being for TV shows.
28 (blank) Later, Requiem for a Dream, Shawshank Redemption, come on!
TRAINSPOTTING has a brilliant soundtrack.
Just so y’know.
There are certain aspects that make a great soundtrack more than a great mixed tape. Garden State was a great mixed tape and even Zach Braff admitted it to being just that. What makes a great soundtrack is how it’s used and what it says about the film.
My favorite soundtrack of all time is American Werewolf in London. The tracks are all upbeat to create an ironic statement about the film. Who can forget the main character’s painful, agonizing transformation to “Blue Moon” by Sam Cooke. CCR, Van Morrison, it’s hilarious, campy, and artifully done.
Definately agree with American Grafitti, one of my favourite movies of all time!
Horrible!! Almost Famous?? Horrible!!
I’m sorry, but any list of great film soundtracks that does not include something from Hans Zimmer is woefully incomplete.
I recall in the early 90′s that everyone had the soundtrack to the movies – Singles, Reality Bites, Trainspotting, Pulp Fiction and Romeo and Juliet (Baz Lurhmann version).
My own favourites – Merry Christmas Mr Lawrence, Garden State, Until the end of the World and High Fidelity.
Remember this was not a popularity contest, and that the entries were chosen based upon artistic as well as contemporary merit. Most of your debates are for soundtracks that feature music that is more brummagemic than artistic, or are otherwise defending musicals and films scores. Maybe on another list…
American Werewolf in London? Dancer in the Dark? Oversights. My bad.
What about the unreleased soundtrack to Ferris Bueller’s Day Off? I Dream of Jeannie thru to Sigue Sigue Sputnik, passing through Yello, The Beatles, and Wayne Newton?
Awe-inspiring.
Dumb and Dumber. Think what you want of the film, the soundtrack is a great collection of ’90s pop. Good road trip music.
the english patient
body of evidence
wild at heart
schlinder’s list
to live and die in la
forest gump has alot of goodies on its soundtrack.
I LOVE THE BIG LEBOWSKI!!! its my fav movie.
No “Dazed and Confused”? Are you kidding me? Every song on there captured the rebellious youth of the late 70s. And “Empire Records” did the same for the early grunge era.
Dead Man soundtrack by Neil Young should be here, near the top.
blackfoot everyone forgets about Judgement Night. It was amazing when it came out, although it hasn’t really stood the test of time. But its definitely in a league of its own.
Animal house??? Anyone??