“The [sic] were still home masturbating till they were 27, and bumming of [sic] Mom and Dad, I’m right arent I ?”

27? 27′s kinda young to stop masturbating, isn’t it?

I will bet the majority, are under 30 years old, no appraction for Rock Histroy, can only see the for now, and think their favorites started it all.

I will also bet none of them were playing gutiar in a night club at 14 years old in 1957, like to fabs were, or filling concert halls on the world stage before they were in their 20′s, in 1963,

The were still home masturbating till they were 27, and bumming of Mom and Dad,” I’m right arent I ?

So let it be said one last time, they were the first, ” and the Best”, and if you study thier accomplishments, and say they were nothing, firstly your an Idiot, really listen to any other songs in 1964, they had no competition.
So compare them for who they are and at least pay them thier due with some common respect ,

He also says that John Lennon showed on Paul’s rocker Get Back why he should have played lead guitar more often because he did such a good job of it. He also said he played a pretty good slide guitar on George’s For Your Blue and he said John also played one of the first and best acid guitar parts on his great rocker Revolution.

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The Beatles on Record

Premieres Wednesday November 25 at 10/9c

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In 1962, an unknown group from Liverpool entered Abbey Road Studios to record their debut single. During the next eight years they created what is arguably regarded as the greatest collection of studio recordings of the 20th century. This special charts The Beatles’ extraordinary journey in the studio from “Please Please Me” to “Abbey Road” and reflects on how they developed as musicians, matured as songwriters and created a body of work that sounds as fresh in 2009 as the time it was recorded. Narrated entirely by John, Paul, George, Ringo and Sir George Martin, the documentary features over 60 classic songs, rare footage and photos from The Beatles’ archives and never heard before out-takes of studio chat from the “Abbey Road” recording sessions.

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» John Lennon: Most Outspoken Beatle

» Lennon and McCartney on The Beatles

» Paul McCartney on “Paul is Dead”

» Dick Gregory on Lennon and McCartney

» Tom Brokaw: 1960s Musical Revolution

» Ask Steve: 60s Music

» Judith Crist on “Let it Be”

The Beatles on Bio.com

» The Beatles

» Paul McCartney

» John Lennon

» George Harrison

» Ringo Star

Gibson.com’s Top 50 Beatles Songs – 50 to 41

06.21.2010

Legendary Liverpudlians, sonic superstars and ingenious innovators – The Beatles did more for popular music than any group before or since. But if you had to narrow all of that down to just one song, what would it be? What is the best Beatles song ever?

That’s the Herculean task Gibson.com has taken on, asking our editorial staff, readers and big-time musicians (Beatles fans all) to tell us which song they think is the most fab. Some of the results might surprise you.

So, today we begin unveiling Gibson.com’s Top 50 Beatles Songs. Check back every day this week, as we reveal 10 more Beatle classics, with the Top 10 arriving on Friday morning.

50. “You Won’t See Me” (1965 – Rubber Soul)

Aggravated that then-girlfriend Jane Asher had walked out on him one night and was refusing his phone calls and visits, Paul McCartney wrote “You Won’t See Me” to bemoan his plight. Of note, the song was a morose departure from McCartney’s typically cheerful love songs. The song, a part of 1965’s masterful Rubber Soul, was the longest written by The Beatles up to that point. – Ellen M. Barnes

49. “There’s a Place” (1963 – b-side/Please Please Me)

“There’s a place where I can go when I feel blue / And it’s my mind.” Amongst the now-iconic tracks on The Beatles’ Please Please Me debut, “There’s a Place” stands out for its intellectual approach to a ’60s love song. John Lennon was quoted as saying, “‘There’s a Place’ was my attempt at a sort of Motown, black thing.” The song, written by John and Paul, utilizes a strong harmonica component and two-part vocal harmonies. – Ellen M. Barnes

48. “She Loves You” (1963 – single)

Written by Lennon and McCartney sitting on twin beds in a hotel room, the original idea for the song came to Paul on a bus ride. The Beatles’ fourth single, the rousing chorus and punchy verses drove the song to the top of the charts in the U.K. where it became the biggest-selling single until 1977, when a certain Paul McCartney toppled it with “Mull of Kintyre.” It’s interesting to recall that the use of “Yeah” – rather than “yes” – was considered vulgar by the British establishment. Even McCartney’s father wondered if they could say, “yes, yes, yes” instead. – Andrew Vaughan

47. “Can’t Buy Me Love” (1964 – single/A Hard Day’s Night)

Because this Paul composition scores the “running around” scenes in A Hard Day’s Night, “Can’t Buy Me Love” will be forever associated with the wild abandon of Beatlemania. It’s a great early rocker from the band, featuring a revved-up 12-bar blues structure (kicked forward by McCartney’s bouncy bass) and a twangy solo from George. It also has the distinction of being the only English-language song The Beatles recorded outside of Britain (the instrumental track was made in Paris). – Bryan Wawzenek

46. “You Never Give Me Your Money” (1969 – Abbey Road)

This Abbey Road track was penned by McCartney and Lennon and is notable for the structure of its instrumentation, as it begins with a quiet piano and McCartney’s plaintive voice before erupting into a clamorous confluence of guitar, piano and drums, during which McCartney adopts a mock-baritone voice. The song’s lyrics express frustration over business problems that the Beatles inherited after the death of manager Brian Epstein. ­– Ellen M. Barnes

45. “Ticket to Ride” (1965 – single/Help!)

With its seemingly haphazard drums and droning bassline, “Ticket to Ride” was pretty heavy for ’65. Lennon later claimed that it was the first metal song (though The Kinks might have something to say about that). The musical milestone shows the band fooling around with tempo, from the herky-jerky rhythm of the verses to the more straightforward choruses and the double-time outro. As for the lyrics, Lennon once joked that they referenced a card carried by Hamburg prostitutes to guarantee a clean bill of health. – Bryan Wawzenek

44. “Hey Bulldog” (1969 – Yellow Submarine)

Even though Lennon brought this song in as a throwaway during the recording session for “Lady Madonna,” it stands as one of The Beatles’ best rock tunes. The song is built on an insistent piano riff, but it’s George Harrison’s feral guitar distortion that seems to set the tone – from McCartney’s impromptu barking to the mad rap with John that closes out the song. It’s unhinged and pure, with a killer melody to boot. Beatles engineer Geoff Emerick later claimed it was the last song where he saw the band members working as a team and having an absolute blast. You can hear it in every note. – Aidin Vaziri

43. “I Will” (1968 – The Beatles)

Clocking in at less than two minutes, “I Will” is a simple, quiet love song that’s remarkably powerful. The song was written by Paul for his future wife Linda and included on The White Album in 1968. According to Ian McDonald’s book Revolution in the Head, the song was finalized after 67 takes and did not include any work from Harrison. – Ellen M. Barnes

42. “Dear Prudence” (1968 – The Beatles)

For a guy who had been cramming words into songs with a shoehorn (see “I Am the Walrus”), Lennon took a much more basic tack on “Dear Prudence.” There’s a simple majesty to the lines, “The sun is up / the sky is blue / it’s beautiful / and so are you.” Written for Mia Farrow’s sister during the band’s time in India, the song features one of McCartney’s stand-out basslines – a rubbery, chromatic wonder – and stinging lead work from Harrison that helps “Prudence” soar from fingerpicking to epiphany. – Bryan Wawzenek

41. “Taxman” (1966 – Revolver)

Told from the perspective of a greedy government official, “Taxman” is one of three songs written by George on 1966’s Revolver. The song, which opens the album, has proven to be an irreverent and enduring little ditty that packs a big punch. In his memoir I, Me, Mine, Harrison said of the song, “‘Taxman’ was when I first realized that even though we had started earning money, we were actually giving most of it away in taxes. It was and still is typical.” – Ellen M. Barnes

Votes for the Top 50 Beatles Songs were included from Michael Wright, Bryan Wawzenek, Andrew Vaughan, Sean Dooley, Arlen Roth, Aidin Vaziri, Russell Hall, Ellen M. Barnes, Ted Drozdowski, Paolo Bassotti, Apple Records’ Tony Bramwell, Elliot Easton (The Cars), Ric Olsen (Berlin), Doug Powell (Swag), Chris Stein (Blondie), Richard Thompson and the Gibson.com Readers Poll.

Reader Comments
More Comments (9)
Julian :: Monday, June 21, 2010 at 2:37:11 PM
+3

There’s actually a studio recording of Hey Bulldog with the band playing Gibson guitars: http://www.youtube.com/watch?v=UaRz-3DYV7c

Reply
DDB9000 :: Wednesday, June 23, 2010 at 12:53:34 PM
+1

“Ticket To Ride” way down at 45? No way – should have been much higher. >>>>>>>>>@Bill. D…read more carefully – (1963 – b-side/Please Please Me) means it was a b-side AND on the ‘Please Please Me’ LP.

Reply
Mr. H :: Monday, June 21, 2010 at 12:23:08 PM

There’s a Place? Really? Yawn. Almost every song on Please Please Me is more deserving … even the cover songs.
Reply

eric dee :: Monday, June 21, 2010 at 12:23:25 PM

You should have asked Paul Weller if he likes Taxman!!!!!
Reply

Michael :: Monday, June 21, 2010 at 12:23:49 PM

Very gratifying to see “Bulldog” make it! I thought I was the only one… http://bit.ly/bXx2aX
Reply

More Comments (9)

Gibson.com’s Top 50 Beatles Songs – 50 to 41
06.21.2010

Legendary Liverpudlians, sonic superstars and ingenious innovators – The Beatles did more for popular music than any group before or since. But if you had to narrow all of that down to just one song, what would it be? What is the best Beatles song ever?

That’s the Herculean task Gibson.com has taken on, asking our editorial staff, readers and big-time musicians (Beatles fans all) to tell us which song they think is the most fab. Some of the results might surprise you.

So, today we begin unveiling Gibson.com’s Top 50 Beatles Songs. Check back every day this week, as we reveal 10 more Beatle classics, with the Top 10 arriving on Friday morning.

50. “You Won’t See Me” (1965 – Rubber Soul)

Aggravated that then-girlfriend Jane Asher had walked out on him one night and was refusing his phone calls and visits, Paul McCartney wrote “You Won’t See Me” to bemoan his plight. Of note, the song was a morose departure from McCartney’s typically cheerful love songs. The song, a part of 1965’s masterful Rubber Soul, was the longest written by The Beatles up to that point. – Ellen M. Barnes

49. “There’s a Place” (1963 – b-side/Please Please Me)

“There’s a place where I can go when I feel blue / And it’s my mind.” Amongst the now-iconic tracks on The Beatles’ Please Please Me debut, “There’s a Place” stands out for its intellectual approach to a ’60s love song. John Lennon was quoted as saying, “‘There’s a Place’ was my attempt at a sort of Motown, black thing.” The song, written by John and Paul, utilizes a strong harmonica component and two-part vocal harmonies. – Ellen M. Barnes

48. “She Loves You” (1963 – single)

Written by Lennon and McCartney sitting on twin beds in a hotel room, the original idea for the song came to Paul on a bus ride. The Beatles’ fourth single, the rousing chorus and punchy verses drove the song to the top of the charts in the U.K. where it became the biggest-selling single until 1977, when a certain Paul McCartney toppled it with “Mull of Kintyre.” It’s interesting to recall that the use of “Yeah” – rather than “yes” – was considered vulgar by the British establishment. Even McCartney’s father wondered if they could say, “yes, yes, yes” instead. – Andrew Vaughan

47. “Can’t Buy Me Love” (1964 – single/A Hard Day’s Night)

Because this Paul composition scores the “running around” scenes in A Hard Day’s Night, “Can’t Buy Me Love” will be forever associated with the wild abandon of Beatlemania. It’s a great early rocker from the band, featuring a revved-up 12-bar blues structure (kicked forward by McCartney’s bouncy bass) and a twangy solo from George. It also has the distinction of being the only English-language song The Beatles recorded outside of Britain (the instrumental track was made in Paris). – Bryan Wawzenek

46. “You Never Give Me Your Money” (1969 – Abbey Road)

This Abbey Road track was penned by McCartney and Lennon and is notable for the structure of its instrumentation, as it begins with a quiet piano and McCartney’s plaintive voice before erupting into a clamorous confluence of guitar, piano and drums, during which McCartney adopts a mock-baritone voice. The song’s lyrics express frustration over business problems that the Beatles inherited after the death of manager Brian Epstein. ­– Ellen M. Barnes

45. “Ticket to Ride” (1965 – single/Help!)

With its seemingly haphazard drums and droning bassline, “Ticket to Ride” was pretty heavy for ’65. Lennon later claimed that it was the first metal song (though The Kinks might have something to say about that). The musical milestone shows the band fooling around with tempo, from the herky-jerky rhythm of the verses to the more straightforward choruses and the double-time outro. As for the lyrics, Lennon once joked that they referenced a card carried by Hamburg prostitutes to guarantee a clean bill of health. – Bryan Wawzenek

44. “Hey Bulldog” (1969 – Yellow Submarine)

Even though Lennon brought this song in as a throwaway during the recording session for “Lady Madonna,” it stands as one of The Beatles’ best rock tunes. The song is built on an insistent piano riff, but it’s George Harrison’s feral guitar distortion that seems to set the tone – from McCartney’s impromptu barking to the mad rap with John that closes out the song. It’s unhinged and pure, with a killer melody to boot. Beatles engineer Geoff Emerick later claimed it was the last song where he saw the band members working as a team and having an absolute blast. You can hear it in every note. – Aidin Vaziri

43. “I Will” (1968 – The Beatles)

Clocking in at less than two minutes, “I Will” is a simple, quiet love song that’s remarkably powerful. The song was written by Paul for his future wife Linda and included on The White Album in 1968. According to Ian McDonald’s book Revolution in the Head, the song was finalized after 67 takes and did not include any work from Harrison. – Ellen M. Barnes

42. “Dear Prudence” (1968 – The Beatles)

For a guy who had been cramming words into songs with a shoehorn (see “I Am the Walrus”), Lennon took a much more basic tack on “Dear Prudence.” There’s a simple majesty to the lines, “The sun is up / the sky is blue / it’s beautiful / and so are you.” Written for Mia Farrow’s sister during the band’s time in India, the song features one of McCartney’s stand-out basslines – a rubbery, chromatic wonder – and stinging lead work from Harrison that helps “Prudence” soar from fingerpicking to epiphany. – Bryan Wawzenek

41. “Taxman” (1966 – Revolver)

Told from the perspective of a greedy government official, “Taxman” is one of three songs written by George on 1966’s Revolver. The song, which opens the album, has proven to be an irreverent and enduring little ditty that packs a big punch. In his memoir I, Me, Mine, Harrison said of the song, “‘Taxman’ was when I first realized that even though we had started earning money, we were actually giving most of it away in taxes. It was and still is typical.” – Ellen M. Barnes

Votes for the Top 50 Beatles Songs were included from Michael Wright, Bryan Wawzenek, Andrew Vaughan, Sean Dooley, Arlen Roth, Aidin Vaziri, Russell Hall, Ellen M. Barnes, Ted Drozdowski, Paolo Bassotti, Apple Records’ Tony Bramwell, Elliot Easton (The Cars), Ric Olsen (Berlin), Doug Powell (Swag), Chris Stein (Blondie), Richard Thompson and the Gibson.com Readers Poll.

Reader Comments
More Comments (9)
Julian :: Monday, June 21, 2010 at 2:37:11 PM
+3

There’s actually a studio recording of Hey Bulldog with the band playing Gibson guitars: http://www.youtube.com/watch?v=UaRz-3DYV7c

Reply

DDB9000 :: Wednesday, June 23, 2010 at 12:53:34 PM
+1

“Ticket To Ride” way down at 45? No way – should have been much higher. >>>>>>>>>@Bill.

D…read more carefully – (1963 – b-side/Please Please Me) means it was a b-side AND on the ‘Please Please Me’ LP.

Reply
Mr. H :: Monday, June 21, 2010 at 12:23:08 PM

There’s a Place? Really? Yawn. Almost every song on Please Please Me is more deserving … even the cover songs.
Reply

eric dee :: Monday, June 21, 2010 at 12:23:25 PM

You should have asked Paul Weller if he likes Taxman!!!!!

Reply

Michael :: Monday, June 21, 2010 at 12:23:49 PM

Very gratifying to see “Bulldog” make it! I thought I was the only one… http://bit.ly/bXx2aX
Reply

More Comments (9)

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News

The Beatles: Here, There And Everywhere is a new 3-part radio special, celebrating the best-selling group of the 21st Century in America. The series will air on a huge list of radio station across the US starting this Friday.

The series features The Beatles’ digitally remastered recordings and exclusive new interviews with a variety of artists and producers as they reveal the influence of The Beatles on their individual careers. Listeners will be treated to stories from Brian Wilson, Tom Petty, Dave Grohl, Slash, Jeff Lynne, Ann Wilson, Nancy Wilson, Peter Asher, Jackson Browne, Bob Seger, T-Bone Burnett, Cameron Crowe, Mika, Mark Ronson, Susan Werner, Rick Rubin and Joe Boyd.

Each of the three 48-minute installments of The Beatles: Here, There And Everywhere takes a different thematic approach.

Part One: Meet The Beatles!

Interviews recorded exclusively for this series reveal the impact made by The Beatles’ recordings throughout their career. We hear Brian Wilson of The Beach Boys, Tom Petty, film director Cameron Crowe and Ann & Nancy Wilson of Heart talking about their first-hand experience of The Beatles’ phenomenal 1964 breakthrough in the United States. Dave Grohl, Mark Ronson and Slash discuss the enduring influence of The Beatles’ albums, including Rubber Soul, Revolver and Abbey Road.

Part Two: Ask Me Why

The interviews focus on the various elements within the group that combined to make The Beatles so musically powerful: their strengths as performers – both instrumentally and vocally – plus the brilliance of John Lennon, Paul McCartney and George Harrison as songwriters.

Part Three: The Beatles On The Record

We hear how The Beatles’ music was captured on record with the help of innovative arrangements and adventurous production by George Martin. Some of today’s leading record producers – Peter Asher, Joe Boyd, T-Bone Burnett, Jeff Lynne, Mark Ronson and Rick Rubin – marvel at the dazzling creativity evident in recordings made more than 40 years ago.

Here are the radio stations that will be broadcasting the special. Check your local listings for more info :

KEZA Fayetteville, AR
KGOR Omaha, NE
KJOY Modesto, CA
KMGL Oklahoma City, OK
WARM York, PA
WBBQ Augusta, GA
WBEB Philadelphia, PA
WDOK Cleveland, OH
WHBC Canton, OH
WKQC Charlotte, NC
WLDB Milwaukee, WI
WLRQ Melbourne, FL
WLS Chicago, IL
WLTJ Pittsburgh, PA
WLZW Utica-Rome, NY
WMGQ Somerset, NJ
WMGV Greenville, NC
WRNQ Poughkeepsie, NY
WRVE Albany, NY
WTGB Washington, DC
WYYY Syracuse, NY
KCFX Kansas City, MO
KIHT St. Louis, MO
KIXA Victor Valley, CA
KKFM Colorado Springs, CO
KKPT Little Rock, AR
KKRW Houston, TX
KKSF San Francisco, CA
KKZX Spokane, WA
KSEG Sacramento, CA
KSLX Phoenix, AZ
KTSO Tulsa, OK
KTYD Santa Barbara, CA
KUFX San Jose, CA
KVRV Santa Rosa, CA
WAFX Norfolk, VA
WAOR South Bend, IN
WBLM Portland, ME
WCSX Detroit, MI
WEGR Memphis, TN
WEZX Wilkes-Barre, PA
WFBQ Indianapolis, IN
WGRF Buffalo, NY
WIBA Madison, WI
WILZ Saginaw, MI
WIMZ Knoxville, TN
WKBU New Orleans, LA
WKGR West Palm Beach, FL
WKLH Milwaukee, WI
WKLR Richmond, VA
WLAV Grand Rapids, MI
WMGK Philadelphia, PA
WMMQ Lansing, MI
WMOS New London, CT
WMXJ Miami, FL
WMXT Florence, SC
WNRQ Nashville, TN
WPLR New Haven, CT
WRFX Charlotte, NC
WROQ Greenville, SC
WRXK Ft. Myers, FL
WSFL Greenville, NC
WTUE Dayton, OH
WWFX Worcester, MA
WXKE Fort Wayne, IN
WZRR Birmingham, AL
WZXL Atlantic City, NJ
XHPRS San Diego, CA
KOZZ Reno, NV
WZLX Boston, MA
KBOO Portland, OR
KCPR San Luis Obispo, CA
KCSC Chico, CA
KCUR Kansas City, MO
KGLT Bozeman, MT
KPFA Berkley, CA
KSYM San Antonio, TX
KUCR Riverside, CA
KUOM Minneapolis, MN
KUPS Tacoma, WA
KVMR Nevada City, CA
KXCI Tucson, AZ
KZSC Santa Rosa
WBER Penfield
WBWC Berea, OH
WCWP Long Island
WDCE Richmond, VA
WDUB Granville, OH
WHSN Bangor, ME
WIUX Bloomington, IN
WKDU Philadelphia, PA
WMBR Cambridge, MA
WMUH Allentown, PA
WPRB Princeton, NJ
WRAS Atlanta, GA
WRFL Lexington, KY
WSCA Portsmouth, NH
KAMP Tucson, AZ
KBLF Red Bluff, CA
KBTB Vail, CO
KCLC St. Louis, MO
KCSC Chico, CA
KEJL Hobbs, NM
KFGL Abilene, TX
KIQX Durango, CO
KLNN Taos, NM
KPFK Los Angeles, CA
KPFT Houston, TX
KRCL Salt Lake City, UT
WFUV New York, NY
WOCM Ocean City, MD
WRLT Nashville, TN
WRNR Baltimore, MD
WRNX Springfield, MA
WRSI Northampton, MA
KSLU Hammond, LA
KSPN Aspen, CO
KTMC McAlester, OK
KUSF San Francisco, CA
KXFM Santa Maria, CA
KYBB Sioux Falls, SD
KYNZ Ardmore, PA
KYSL Breckenridge, CO
WAFN Arab, AL
WAPS Akron, OH
WBWC Cleveland, OH
WBZD Williamsport, PA
WCDW Binghamton, NY
WDIY Allentown, PA
WDNS Bowling Green, KY
WERU Portland, ME
WFMU Hoboken, NJ
WHCL Clinton, NY
WHRV Norfolk, VA
WINN Columbus, IN
WKZB Meridian, MS
WKZE Sharon, CT
WMBR Cambridge, MA
WMHX Harrisburg/York, PA
WMHX York, PA
WMNF Tampa, FL
WMWV Conway, NH
WNCW Spindale, NC
WNHU West Haven, CT
WNKU Cincinnati, OH
WORT Madison, WI
WPHD Elmira, NY
WPRK Winter Park, FL
WPVM Asheville, NC
WQEL Sandusky, OH
WRHQ Savannah, GA
WRPI Troy, NY
WRUR Rochester, NY
WSHK Gray, TN
WSKZ Chattanooga TN
WTMD Baltimore, MD
WUMB Boston, MA
WUTC Chattanooga, TN
WVBO Appleton, WI
WVUA Cottondale, AL
WYCE Grand Rapids. MI
WYMS Milwaukee, WI
KCEZ Chico, CA
KCMO Kansas City, MO
KFGL Abilene, TX
KFRC San Francisco, CA
KGOR Omaha, NE
KIOA Des Moines, IA
KITI Centralia, WA
KKNX Eugene, OR
KLFM Great Falls, MT
KLOU St. Louis, MO
KLTH Portland, OR
KLUV Dallas, TX
KMJ Fresno, CA
KODJ Salt Lake City, UT
KOLW Tri-Cites, WA
KONO San Antonio, TX
KOZY Grand Rapids, MI
KPUR Amarillo, TX
KRNO Reno, NV
KRPL Pullman, WA
KTTH Seattle, WA
WBBG Youngstown, NY
WCDW Binghamton, NY
WEAT West Palm Beach, FL
WFAS Westchester, NY
WGRR Cincinnati, OH
WIXV Savannah, GA
WJAS Pittsburgh, PA
WJLT Evansville, IN
WKNY Kingston, NY
WKXS Wilmington, DE
WLDE Fort Wayne, IN
WMFG Minneapolis, MN
WOCL Orlando, FL
WODB Columbus, OH
WOGL Philadelphia, PA
WPYX Albany, NY
WQXZ Hawkinsville, GA
WRBQ Tampa, FL
WROR Boston, MA
WTHZ Lexington, NC
WTPA Harrisburg, PA
WXKE Fort Wayne, IN
KACV Amarillo, TX
KBAC Santa Fe, NM
KDNK Carbondale, CO
KGSR Austin, TX
KLRR Bend, OR
KMTN Jackson Hole, WY
KOZT Fort Bragg, CA
KPND Spokane, WA
KTAO Taos, NM
KTBG Kansas City, MO
KTHX Reno, NV
KVSF Santa Fe, NM
KYSL Frisco, CO
WBJB Monmouth, NJ
WCBE Columbus, OH
WCLZ Portland, ME
WCNR Charlottesville, VA
WDST Woodstock, NY
WFIV Knoxville, TN
WTTS Indianapolis, IN
WWMM Birmingham, AL
WXPK Westchester, NY
WZEW Mobile, AL
WZGC Atlanta, GA

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