Opera music is usually quite emotional, and as such can be very useful in films to quickly convey a particular feeling to the audience. Even though they may not understand the words or know what the song is about, generally they will appreciate the sentiment that is being conveyed. Better still is when the words and the story of the opera do correspond to the situation in the movie. So, with no further ado, here is my list and my rankings based on how well the song fits into the movie theme-wise and also how well it ties into the storyline of the movie itself.
10. Sunday Bloody Sunday Soave Sia Il Vento from Cosi fan tutti – Mozart
Sunday Bloody Sunday is about a young bisexual designer and his simultaneous relationships with a recruitment consultant and a Jewish doctor. Both know about the other but fear losing him. Cosi Fan Tutte is about two soldiers who try to seduce each other’s fiancees in a test of their faithfulness (or lack thereof). Soave Sia Il Vento is used frequently in this move; it is sung by the sisters as their fiancees sail off, supposedly to war.
9. Wall Street Questa O Quella from Rigoletto – Verdi
Wall Street epitomized ’80′s greed and excess; it was the story of a young stockbroker who begins to emulate his hero by using insider trading to try to amass a fortune. Rigoletto tells of a self-centered playboy Duke who casually seduces women and abandons them. Questa O Quella was in Wall Street while the young stockbroker has dinner with his materialistic girlfriend; the lyrics translate to “This girl or that girl are just the same to me…” Here is a great version sung by Jan Peerce.
8. Fantasia Dance of the Hours from La Gioconda – Ponchielli
Fantasia, as you probably know, was an animated Disney film set to classical music. One must admire the juxtaposition of a scene featuring hippos and ostriches dancing to a song from an opera set during the Inquisition.
7. Gallipoli Au Fond Du Temple Saint from Les Pecheurs De Perles – Bizet
Gallipoli is the story of several young men in general and two friends in particular from Australia who enlist during the First World War and fight and presumably die together in the battle of Gallipoli. Au Fond Du Temple Saint is a duet in which two men swear to be friends until death. Here this lovely duet is sung by Plácido Domingo and Rolando Villazón.
6. The Fifth Element Il Dolce Suono from Lucia di Lammermoor – Donizetti
The Fifth Element is almost certainly not the sort of film in which one would expect to hear opera. As wikipedia sums it up: The film’s central plot involves the survival of humanity, which becomes the duty of a taxicab driver named Dallas when an extraterrestrial young woman falls into his taxicab. She is the Fifth Element, whose appearance was prophesied by the Father Vito Cornelius. The driver Korben’s mission is to gather the other four elements before a black planet that represents pure evil collides with Earth. Mangalores, slow-witted warrior mercenary aliens hired by corporate tyrant Jean-Baptiste Emmanuel Zorg, are given the task to thwart Korben’s efforts. This is nicely well suited to go with Lucia di Lammermoor, particularly Il Dolce Suono, in which Lucia sings of being with her lover Edgardo, soon to be happily married. Unfortunately, at the time she is singing this, she has just murdered her husband Arturo. This all seems to tie together nicely with the movie as shown in this clip (particulary after a few stiff drinks).
5. The Life of David Gale Tu Che Di Gel Sei Cinta from Turandot – Puccini
The Life of David Gale takes place during the last week before the execution of David Gale, a former college professor and death penalty opponent who has been sentenced to death for the rape and murder of a colleague. In the course of telling his story to a journalist it becomes apparent that there was more to the murder than meets the eye. Turandot is a beautiful Chinese princess who bets prospective suitors that they cannot answer her three questions; the stakes being her hand in marriage against their lives. In the The Life of David Gale, a mysterious strangers appears to be stalking the journalist telling his story, and this stranger is very fond of listening to Tu Che Di Gel Sei Cinta, which is sung by the servant Liu to Turandot immediately before Liu commits suicide. You can listen to the aria sung by Eva Marton.
4. The Hunger Viens, Malika from Lakme – Delibbes
The Hunger is a film about Miriam and John Blaylock, stylish vampires living in New York City in the 1980′s who first married in 18th century France. Unfortunately, old age is finally catching up with John, and very dramatically. While trying to help John, Miriam becomes interested in Sarah, who is studying sleep disorders and aging. Lakme is the story of Lakme, the daughter of a Brahmin high priest in 19th century British India. In this clip, Miriam is playing Viens, Malika on the piano and discussing with Sarah whether or not Lakme and Malika were lovers.
3. Life Is Beautiful Barcarolle from Les Contes d’Hoffmann – Offenbach
Life Is Beautiful is a film whose premise sounds like a complete oxymoron; a comedy about a concentration camp during the Holocaust. Guido, an Italian Jew, his five year old son and his wife Dora, are taken to a concentration camp. Rather than terrify his young son by admitting the truth, he spins a story of how they are playing a game, the winner of which will receive a real tank. Les Contes d’Hoffmann consists of three short stories. In the third act, Hoffmann falls in love with the courtesan Giulietta. In this clip, Guido has followed his future wife to the opera where he is attempting to gain her attention. This duet is also included later in the movie in a heartwrenching scene at the concentration camp.
2. Fatal Attraction Un Bel di Vedremo from Madama Butterfly – Puccini
Fatal Attraction is about a successful, happily married man living in Manhattan who meets a single female editor from a publishing company and has a brief affair with her. What he thought would be a brief fling turns into a horror story as she begins to stalk him and his wife and daughter. Madama Butterfly is the story of a young Japanese geisha whose American lover (whom she views as her husband), after a long separation, ultimately returns with his American wife in tow. At the end Butterfly commits suicide. In the movie, Alex, the female stalker, is enthralled with the opera Madama Butterfly and several arias are included in the film. At one point she listens to it while attempting to commit suicide. Unfortunately there are currently no video clips available with both song and film so enjoy Renee Fleming’s beautiful voice; the aria is Butterfly singing about how she knows that on one beautiful day her “husband” will return to her.
1. Apocalypse Now Ride of the Valkyries from Die Walkure – Wagner
Apocalypse Now is set during the Vietnam War and tells the story of Army Captain Benjamin L. Willard who is sent into the jungle to assassinate United States Army Special Forces Colonel Walter E. Kurtz, who is said to have gone insane. Ride of the Valkyries features eight Valkyries – female deities who flew over the battlefield, alloting death and choosing the most heroic of those who died in battle and carrying them off to Valhalla. The scene takes place while US troops are attacking a Vietnamese village because their beach is perfect for surfing. I’ll leave it to the reader to decide who, if anyone, is “heroic” in this clip.
Bonus: Rabbit of Seville Overture from Barber of Seville – Rossini
OK, it’s not a movie, but you know that you wanted to see it!
Contributor: Mathilda




















Tsk, tsk- Highlander II, MacLeod (the last “god”) is dying, the planet is dying and MacLeod is watching Gotterdammerung. Specifically singing “To new deeds, dear hero.” When he leaves he is quickened and “reborn” leading to him saving the planet. I don’t know that you could come up with a better thematic tie in than that.
This is an interesting think outside the box list.
I am always a sucker for the use of opera in movies because it often shows irony so effectively. A lot of you might laugh at me but what about that scene in Pretty Woman?
Pretty Woman came to mind for me too. Such a powerful scene!!! La Boheme I think…too lazy to Google it before posting.
The Fifth Element Il Dolce Suono from Lucia di Lammermoor is often used as a demo to show off high end home theater systems.
Gotta love the air assualt on the beach in Apocalypse Now.
“You smell that?……..I love the smell of napalm in the morning, smells like, victory.”
evan: Apocalypse Now definitely deserves the number one spot here – it is probably the greatest use of music (not just opera) in any film.
How about ‘What’s Opera, Doc?’ That’s the one I wanted to see…much better use of opera by Bugs.
PS – Misquote in 5th Element…
“taxicab driver in Dallas”
should be
“taxicab driver named Dallas”
He’s from New York.
I would say that Philadelphia uses opera well.
Thanks for pointing out my error about the taxicab driver, Jim C. Hopefully they can fix it for me! By the time I was done I was afraid that I was going to be saying Lucia di Lammermoor was an opera about space aliens.
I did not use What’s Opera, Doc? because I already had used Ride of the Valkyries and a little Wagner goes a long way, in my opinion!
Christopher Joseph Borne – I have not seen Philadelphia; now I will have to watch it. Thanks!
Jim C: thanks.
Christopher: it does – excellent film too.
Mathilda: fixed
How could you have forgotten the scene from the Untouchables? The juxtaposition of a particularly horrific downtown murder with scenes of Capone enjoying a fine uptown opera is an example of excellent film-making. http://www.rambles.net/the_untouchables.html (givig proper credit for the quote!)
Chuckl: thanks for the mention of that – and the link
The one I wanted to see is on here…I am appeased.
Anyone seen the Hong Kong shoot-em-up “Fulltime Killer?” There’s a sickass scene where this flashy assassin dude comes out into the street with a Nixon mask (I think it was Nixon) with a shotgun and starts blowing knees out of mobsters, finally injecting a dude with a poison made from cigarettes and water while another assassin watches from above, shooting photos/studying his flamboyant style.
Anyways, there’s an opera piece there, I have no idea what it is, but every time I see that scene I get goosebumps.
Ooooh I found a youtube clip.
Said scene starts around the 3 minute mark, though more powerful if watched from the beginning of the coffee shop (1 minute-ish)
Looks more like Clinton now that I see it again lol
and which one is that Ravyn?
TMoraca: that looks like an interesting film – I might watch the rest. The song is Largo al Factotum from the Barber of Seville by Rossini.
Great movie. If you’ve heard of Election, or its recent sequel Triad Election, same director.
Thanks for the opera info.
Blogball: which scene in Pretty Woman? I have seen the film but don’t remember its use of opera.
There is a scene where Richard Geer takes Julia Roberts to the opera .As the opera is in full swing Roberts is moved to tears.
Geer asks Roberts if she enjoyed the opera and she says something like a loved it so much I almost peed in my pants. (Not sure of the exact quote) Maybe someone out there can help.
Blogball: oh! I do remember that!
Blogball – Oh! It’s La Traviata, which is about a courtesan, so it’s perfect for that movie! I can’t wait until tomorrow when I’m not at work and can watch the clips that I missed and you all have commented on. That would have been perfect on this list too.
As soon as I saw the title of this list I thought of Ride of the Valkyries. Good call.
Thank you Mathilda I looked it up on Wikipedia and sure enough they mention Pretty Woman. http://en.wikipedia.org/wiki/La_Traviata I didn’t know the opera drew parallels with the movie plot. “Thanks again”
I don’t know if this could be considered “opera” but definately one of the most moving musical pieces I have seen in movies.
Gortoz A Ran J’Attends by Danez Prigent and Lisa Gerrard from the final scene of Black Hawk Down http://www.youtube.com/watch?v=sQS6XQOhNh0
Although it’s a direct element of the plot line etc, the use of opera in Amadeus was very enjoyable. The huge, dramatic chords when the Commendatore shows up in Don Giovanni are used to great effect in Mozart’s relationship with this father as I recall.
Hey, i don’t know if it counts as Opera, but the scene in Mullholand Drive, where the two women are in that theatre, is pretty amazing.
jfrater, come on, you’re better than that! Anybody remember a move called “The Shawshank Redemption”? (I never knew what those Italian ladies were singing about, and frankly, I don’t want to know.) Personally, I also loved the opera scenes from “The Talented Mr. Ripley” and both versions of “The Wrong Man”.
does anyone else have “kill the wabbit, kill the wabbit” on a loop in their head right now or am i the only one?
Niecy: You surely are not alone. I have had that in my head all day now.
rofl, rabbit of seville. great bonus item. is it bad that movies and looney toons are the extent of my exposure to opera?
Aah! I love the Rabbit of Seville! Um, aside from that, I actually haven’t seen a lot of these movies, unfortunately. I have seen Apocolypse Now, however, and I find that scene sad and disturbing. =(
DiscHuker: absolutely! Get thee to the opera!
Kelsi: If you thought the Apocalypse Now scene was sad – wait until you see Life is Beautiful – and you must – it is an incredible film.
I adore the the fifth element, and that music and the scene are beautiful.
CAvalleria Rusticana by mascagni at the beginning and in the end of the movie Raging Bull.
There are some really great suggestions for the list here! Here’s links to most of the ones that you all mentioned:
Philadelphia – La Mamma Morta from Andrea Chénier – Giordano
The Untouchables – Vesti la giubba from Patliacci – Leoncavallo
Pretty Woman – La Traviata – Verdi
Amadeus – Don GiovanniSull’Aria from The Marriage of Figaro – Mozart
Raging Bull – Cavalleria rusticana – Mascagni
Many thanks for all of these wonderful additions!
The Shawshank Redemption – Sull’Aria from The Marriage of Figaro – Mozart
Edit to above…
I liked The use of Vorspiel zu Richard Wagners “Das Rheingold” in Terrence Malik´s The New World, wich shows a gentler, calmer side of Wagner´s music.
I recently viewed The Man Who Cried, not expecting much, although I usually like Sally Potter’s unique work. I was totally entranced by this sad and wise film, which uses as a recurring theme the aria from The Pearl Fishers, Je crois entendre encore, sung both in French and Yiddish(!) Unforgettable.
Corasue: I haven’t seen it – it sounds intriguing though – I will see if I can find a copy to watch
Another good warner brother clip was “Kill da Wabbit” (Bugs Bunny and Elmer) based on the Wagnerian opera Der Ring des Nibelungen.
What is the aria that is used in Saving Private Ryan? All my roommate can come up with is that it is in French and the scene is when he is explaining to the troops that he is a teacher. Any help? it is driving me insane as I am trying to find it anywhere on the web. Thanks!
What is the aria used in detective columbo film
” a self portrait” i have looked everywhere trying to find out.Just seen the film again and its got me searching again.Does anyone know?
Many Thanks.
Im alos searching. Have you had any success?
I’m trying to identify the opera air (would like to get the entire opera) used in episode Columbo ,,Murder a,Self Portrait”. Any help would be greatly appreciated
Any luck yet? Im also looking
What about “A night at the Opera” the Marx Brothers. The ending were they are all on stage, best use of opera ever.
What about Mr. Bean using it to get money in Mr. Beans Holiday? hahaah
HAHAHAHAHAH fishing4monkeys… Mr. Beans Holiday was hilaaaaarious. I don’t understand the haters.
i love the opera squence in ‘the fifth element’. it’s so beautiful. and ride of the valkyries always cracks me up, for some reason. good list!
The punisher – la donna e mobile
http://en.wikipedia.org/wiki/La_donna_%C3%A8_mobile
to Seymour:
the “Sull’aria” that you are talking about in the Shawshank Redemption is a duet between the Countess Almaviva and Susanna, her maid. the Countess is determined to trick the Count because he has a wandering eye, and wants to be with Susanna. she and Susanna write a letter that Susanna will deliver to the Count telling him to meet her “where the breezes blow softly, in the pine grove” and they say together “the rest he will know”…but the Countess will take Susanna’s place. it’s also the scene where, because of the interweaving of the vocal lines, the Countess finally thinks of Susanna as a real friend and equal, and not just her maid. I love the use of this duet in the movie. I’ve played the Countess twice and she’s such a difficult character to play, but she’s fantastic.
jfrater: the Barcarolle is a duet, not an aria
and I agree about Philadelphia…I was so surprised to not see it on here!
jfrater: the Barcarolle is a duet, not an aria and I agree about Philadelphia…I was so surprised to not see it on here!
http://en.wikipedia.org/wiki/Aria
The Barcarolle IS an aria and it is also a duet. Arias can be duets, trios, quartets, quintets, *****tets… *shrugs*
And about the Barcarolle in particular:
The most famous aria from the opera is the “Barcarolle” (Belle nuit, ô nuit d’amour), which is performed in Act III. Curiously, the aria was not written by Offenbach with Les Contes d’Hoffman in mind. He wrote it as a ghost-song in the opera Les fées du Rhin (which premiered in Vienna on 8 February 1864 as Die Rheinnixen). Offenbach died with Les contes d’Hoffman unfinished. Ernest Guiraud completed the scoring and wrote the recitatives for the premiere, and he also incorporated this excerpt from one of Offenbach’s earlier, long-forgotten operas into the new opera.
Source: Wikipedia
And I also agree about Philadelphia… Oh, how I love La Mamma Morta!!!
see, this is where wikipedia is sometimes wrong, because according to their aria article, an aria is sung by one singer:
“n aria (Italian for air; plural: arie or arias in common usage) in music was originally any expressive melody, usually, but not always, performed by a singer. The term is now used almost exclusively to describe a self-contained piece for one voice usually with orchestral accompaniment. Perhaps the most common context for arias is opera, although there are many arias that form movements of oratorios and cantatas. Composers also wrote ‘concert arias’, which are not part of any larger work, such as “Ah Perfido” by Beethoven, and a number of concert arias by Mozart.
The aria first appeared in the 14th century when it signified a manner or style of singing or playing. Aria could also mean a melodic scheme (motif) or pattern for singing a poetic pattern, such as a sonnet. It was also attached to instrumental music, though this is no longer the case. Over time, arias evolved from simple melodies into a structured form; in about 17th century, the aria was written in ternary form (ABA); these arias were known as da capo arias. The aria later “invaded” the opera repertoire with its many sub-species (Aria cantabile, Aria agitata, Aria di bravura, and so on). By the mid-19th century, many operas became a sequence of arias, reducing the space left for recitative, while other operas (for instance those by Wagner) were entirely through-composed, with no section being readily identifiable as a self-contained aria.
An arietta is a short aria.”
so, wiki needs to update their Barcarolle article! as an opera singer, you will never hear anyone refer to an aria as being sung by more than one singer. woo hoo for the internets
Let’s not blame it on Wikipedia… Let’s blame the people who made that article! Hahahahaha
Ok, so… an aria is anything singable? I got it that way, please correct me if I’m wrong…
Eitherways, if an aria is anything singable then it is a song and if it is a song then you can sing it, therefore, the Barcarolle is an aria… right?
And just because it is an aria, it doesn’t mean it is part of an opera… right?
And… that thing you said: “you will never hear anyone refer to an aria as being sung by more than one singer”
So, let’s say that, “Bella figlia dell’amore” from Rigoletto, which is a quartet, is not an aria?
Sorry if I seem obnoxious but… I want to learn!
haha…an aria is not just anything singable…it is a piece of music written mainly for an opera for a solo singer. it won’t say solo in the music, like it will say “quartet” or “trio”, etc, but will say “aria” or “air.” there are of course exceptions, as when Mozart or Beethoven write their concert arias…and also exceptions such as “Sempre libera” in La Traviata when Alfredo interjects while Violetta is singing her aria, but if it is to be sung solo, then Alfredo’s line is cut. same thing with Nessun dorma (which, if you’ve heard Pavarotti sing, you’ve probably heard this aria), since a chorus interjects, depending on which version you listen to. so it can get confusing if you’re not too familiar with opera, especially when it starts getting broken down into even more specific terms, such as cavatina and cabaletta…
Ohhhhh! *bows* Wow…
I love opera and I’m familiar with the arias and all but… I’m definetely not familiar with the “specific terms” how you called them hihi.
Ok, let’s sum it all up:
An aria is a piece made not only for an opera but for a, let’s say concert, as well and you can’t call aria a “song” or “piece” in which more than one person sings… Ohhhhhh! *bows again*
So, an opera is not just a bunch of arias but some arias and some… pieces… right?
AngieWangieMangie: an opera nowadays can be anything you like – especially since the Romantic period (late 1800s) – in the old days an opera would be a combination of arias (songs), duets, trios, etc., and recitative – a kind of singing speaking – if you haven’t heard a full opera you probably haven’t heard recitative because it is not usually played outside of the opera itself. An aria is a song from an opera – outside of opera songs are called “songs”.
I have heard full operas what I don’t really understand is what you mean by recitative. Maybe if you tell me what it is I will be able to recognize it…
Look what I found… (and not in Wiki… hihi):
RECITATIVE — (from the Italian, recitative)–a type of vocal writing in opera which mimics speech or ‘recitation’. This imitation of normal speech patterns existed from the time of Monteverdi and the other early creators of opera. In Italian practice, two forms of recitative evolved: recitativo secco, accompanied only by a keyboard instrument (harpsichord or fortepiano) which conveyed everyday dialogue leading to more dramatic moments (aria); and recitativo accompagnato, which was accompanied by orchestra and used to convey noble speech, or the speech of noble, royal or mythological characters.
Now I get it!!!
What about the Bad News Bears – 1975 – Opera – Carmen!
Oh man, would’ve loved to see Philadelphia’s opera scene here.
Faust in Layer Cake with Daniel Craig is truly great, perfect timing and very relevent to the story
Did no-one think to include “Nessun Dorma” sung by Luciano Pavarotti as it appears at the culmination of “Sum of All Fears” as the would-be World War 3 instigators are all “dealt with” ???