10 Best Uses Of Classical Music In Classic Cartoons
I grew up watching Bugs Bunny, Tom and Jerry, and Popeye cartoons, because they were regularly shown on the independent stations here in St. Louis. (Disney cartoons werenâ€™t readily available unless the Sunday night Wonderful World of Disney show featured one of them.) Those cartoons helped develop my love of classical music. (Sorry, Mom. You were a huge musical influence, but not quite as much as Bugs Bunny!) While the vast majority of the cartoons of the 1930s-1950s made excellent use of popular music and original compositions, they also used classical music to great effect, creating some of the finest animated masterpieces of all time.
Rossiniâ€™s overtures were popular with cartoonists, as were Lisztâ€™s Hungarian rhapsodies and Brahmsâ€™ Hungarian dances. In cartoon-land, Beethovenâ€™s Moonlight Sonata became synonymous with quiet, moonlit scenes, while the opening notes to his Fifth Symphony were used to introduce Nazis during World War II. The final movement of Lisztâ€™s Les Preludes frequently introduced some cartoons. Any favorites youâ€™d add to this list? Enjoy!
Music: Rossiniâ€™s William Tell Overture
Made before the William Tell Overture became identified as The Lone Rangerâ€™s theme, The Band Concert features bandleader Mickey leading an outdoor performance. While the band plows through the overture, Donald Duck continually interrupts by playing â€śTurkey in the Strawâ€ť on his recorder.
Music: Brahmsâ€™ Hungarian Dances #5, 7, 6 and 17 (they appear in that order)
The familiar story of the three little pigs was a popular vehicle for cartoonists. This Warner Bros. version cleverly syncs the action with Brahmsâ€™ music, so much so that the music seems like a fifth character.
Music: Von Suppeâ€™s A Morning, Noon and Night in Vienna
Bugs is the conductor of a musician-less orchestra. He performs Von Suppeâ€™s â€śMorning, Noon and Night in Vienna,â€ť but with a twist: He turns part of it into a cowboys and Indians saga, using his ears as props.
Music: Largo al factotum aria from Rossiniâ€™s Barber of Seville opera
This famous aria was never showcased better in a cartoon than in this Tex Avery romp (although Long-Haired Hare comes close). After a two-bit magician fails to convince Poochini, the â€śworldâ€™s greatest baritone,â€ť to let him into the opera singerâ€™s act, the magician uses his wand to make life quite difficult for Poochini. Itâ€™s one of Averyâ€™s absolute best. Itâ€™s often cut these days because of some unfortunate racial stereotypes, but you can still find the uncut original. Note: Watch for the fantastic bit where Poochini â€śbreaks the fourth wallâ€ť and plucks a hair from the â€śfilm.â€ť
Music: Johann Strauss IIâ€™s Die Fledermaus
Tom is the conductor of an orchestra of cats. Naturally, Jerry wants in on the act, and of course, Tom repeatedly shoes him away. Excellent choreography in this one. And both Tom and Jerry look pretty sharp in those tuxes.
Music: Tchaikovskyâ€™s Piano Concerto #1, Straussâ€™ Tales from the Vienna Woods and The Blue Danube
Warner Bros. frequently poked fun at Disney, especially considering many animators migrated from Disney to Warner Bros. (and MGM). A Corny Concerto rips on Disneyâ€™s Fantasia (see #2), starting with Elmer appearing as an unshaven Stokowski introducing the two segments. The first segment is a wild romp in the Vienna woods with Bugs, Porky and an unnamed dog. The second is more standard fare of a duck protecting a family of swans from a vulture.
Music: Lisztâ€™s Hungarian Rhapsody #2
The Cat Concerto won the Academy Award for Short Subjects-Cartoons in 1946. Warner Bros. released a nearly identical cartoon the same year, Rhapsody Rabbit, which had many of the same gags. Both MGM and Warner Bros. accused the other of plagiarism, but nothing official came of it. Itâ€™s a toss-up as to whether The Cat Concerto or Rhapsody Rabbit is the better cartoon. Also watch Rhapsody in Rivets, an Oscar-nominated Warner Bros. cartoon that features the construction of the â€śUmpire State Buildingâ€ť while the foreman/conductor leaders the show.
Music: Rossiniâ€™s Barber of Seville Overture
Bugs does Rossini in a beautifully timed and written masterpiece. Elmer chases Bugs into a theater. Bugs and an unwilling Elmer act out Rossiniâ€™s â€śBarber of Seville,â€ť with Bugs giving Elmer a full head manicure. Best part: Bugs uses his ears to massage Elmerâ€™s bald head. Some of the lyrics: â€śHey you! Donâ€™t look so perplexed/why must you be vexed/canâ€™t you see youâ€™re next? Yes, youâ€™re next. Youâ€™re so next!â€ť and this one: â€śThere! Youâ€™re nice and clean! Although your face looks like it might have gone through a machine.â€ť (Note: The music here is from the overture, while the music from #7 is from the famous aria of the opera.) The film quality is not good but this is the only English language version I could find on youtube.
Music: Dukasâ€™ The Sorcererâ€™s Apprentice
Fantasia is one of Disneyâ€™s greatest films. Itâ€™s a safe bet to say that more people saw the segments of Fantasia as one-off cartoons on TV than actually saw the movie in the theater. The best part (and probably best-known) is the Sorcererâ€™s Apprentice, with Mickey as the apprentice who literally gets in over his head. The rest of the music featured in Fantasia was: Bachâ€™s Toccata and Fugue in D Minor, Tchaikovskyâ€™s Nutcracker Suite, Stravinskyâ€™s The Rite of Spring, Beethovenâ€™s Sixth Symphony, Ponchielliâ€™s The Dance of the Hours, Mussorgskyâ€™s Night on Bald Mountain, and Schubertâ€™s Ave Maria.
Music: Wagnerâ€™s Ring Cycle
Bugs and Elmer Fudd do Wagner in this Chuck Jones masterpiece. Some may have put Fantasia first, but this Bugs Bunny short is consistently ranked as the best Bugs Bunny cartoon of all time, and usually the best of all cartoon shorts. Jones reduces Wagnerâ€™s whole Ring saga to 6Â˝ minutes in a hilarious parody â€” and itâ€™s one of the only times Elmer actually â€śgetsâ€ť Bugs. Youâ€™ll never listen to â€śFlight of the Valkyriesâ€ť again without hearing Elmer sing, â€śKill the wabbit, kill the wabbit, kill the wabbit!â€ť