As one of the most well respected American art forms, jazz has shaped the music industry spawning both the careers of various musical geniuses, and an abundance of elemental new music genres. Jazz was developed in the late 19th century and early 20th century as American and European classical music was mixed with African and slave folk songs. These songs were played to a syncopated rhythm, and from this emerged ragtime, then Dixieland and subsequently Big Band, what many consider to be the beginning of modern jazz. There is obvious West African influence, visible in terms of how the music is written and played; swing rhythm, polyrhythm, improvisation and syncopation are all prominent examples which are almost exclusively characteristics of jazz music. Over the course of the 20th century, this art form has been changing drastically as new artists bring on new influence and new sound. Dixieland became big-band, which became be-bop, which became fusion, Latin and free jazz, which, in turn, established their own separate styles like funk, acid-jazz, hard-bop, smooth jazz, cool jazz, etc. The musicians behind this ever growing phenomena are recognized as some of the best musicians of all time. Compiled here are who I believe are the best of the best, and the most influential all throughout the history of jazz music.
Art Tatum was a jazz pianist and virtuoso who was nearly blind. He is acknowledged by many to be one of the greatest pianists of all time, revolutionizing the role piano played in jazz. Tatum drew upon stride piano to build up a style uniquely his own, playing with swinging pulse and futuristic improvisational abilities. His approach to jazz music completely changed the way piano was played: He reharmonized melodies by altering the underlying chord structure, used innovative chord extensions, and dissonance to his benefit. All of these were characteristics of bebop music, happening some 10 years before the first bebop records were even made. He was noted also for having exquisite technique, to a point where he was able to play some of the most difficult passages at high velocity, and still present the illusion that he was hardly moving his hands.
Some of the most complex and dissonant harmonies can be found in the repertoire of pianist and composer Thelonious Monk, one of the most important contributers to bebop music. His somewhat eccentric persona also helped popularize jazz. Known for his “hip” style in suits, hats and sunglasses, Monk, in essence, personified the uniqueness and idiosyncrasy that was his music. His novel, improvisational approach helped to create a plethora of jazz standards like “Epistrophy,” “Blue Monk,” “Straight, No Chaser,” “I Mean You,” and “Well, You Needn’t.” Monk’s style was commonly characterized by his innovative approach to piano playing which included percussive attacks and abrupt pauses. He often got up from the piano during performances and danced a bit while the other members of the band continued playing. Thelonious Monk remains one of the most celebrated and renown pianists in any genre.
An acclaimed bass virtuoso, composer, bandleader, and occasional pianist, Charles Mingus was one of the most creative musicians in the jazz scene. He developed a completely unique style, embracing elements of gospel, hard bop, free jazz, and classical music. Mingus was called the “heir apparent to Duke Ellington” because of his fantastic writing for medium-sized ensembles. His compositions showcased the skill of each of his players, whom he made sure were not only talented, but characteristically unique like himself. Mingus was feared for his temper, both on and offstage. He once punched trombonist Jimmy Knepper in the face, breaking off a crowned tooth and essentially ruining Knepper’s embouchure. Mingus suffered from clinical depression and refused to compromise his musical integrity, which resulted in on-stage eruptions and often the threatening of other band mates. Despite this, Mingus is one of the most important figures in bebop, bass and jazz history.
Art Blakey was a famous American drummer and bandleader who revolutionized the way jazz drums were played. His unique approach to drumming incorporated bits of swing, blues, funk and hard bop; a style which is heard today in drummers everywhere. Along with Max Roach and Kenny Clarke, he is considered to have invented the modern bebop style of drumming. For over 30 years, his band The Jazz Messengers launched the careers of a multitude of famous jazz artists, like Benny Golson, Wayne Shorter, Clifford Brown, Curtis Fuller, Horace Silver, Freddie Hubbard, Keith Jarrett, Wynton Marsalis and countless others. The Jazz Messengers not only produced phenomenal music, but served as a proving ground of sorts for young musicians, similar to Miles Davis’ band. Art Blakey’s style changed the way jazz sounded, and the way drums were played in modern bebop.
American jazz trumpet player, singer, composer and bandleader, Gillespie was very significant in the development of bebop and modern jazz. His trumpet playing influenced such players as Miles Davis, Clifford Brown and Fats Navarro. After spending time in Cuba and coming back to America, Gillespie also greatly helped in the advancement of Afro-Cuban Jazz. He was characterized by his horn rimmed glasses, bent trumpet and uniquely puffy cheeks when playing. A great improviser, Dizzy added a certain layer of harmonic complexity to his music, something previously unknown in jazz. Songs like “Salt Peanuts” and “Goovin’ High” were very different, both harmonically and rhythmically, when compared with the sounds of his contemporaries. Remaining true to bebop his entire career, Gillespie is remembered as one of the most influential trumpet players in history.
Max Roach is considered to be one of the greatest drummers in history, and was a renowned bebop pioneer. He is, along with a select few, essentially responsible for the modern style of jazz drumming. Roach was also involved greatly in the Civil Rights movement, creating an album with Oscar Brown Jr. and Coleman Hawkins called “We Insist! – Freedom Now,” commemorating the 100th anniversary of the signing of the Emancipation Proclamation. Roach performed with amazing style, able to play entire shows solo, showing that, given his incredible skill, he could play and completely satisfy an entire audience while fulfilling the requirements of a solo performance. Roach, completely in-tune with the bebop scene, played with artists like Clifford Brown, Miles Davis, Charlie Parker, Dizzy Gillespie, Duke Ellington and Charles Mingus, ensuring a vibrant and successful career.
“Lady Day” was perhaps the most exceptional popular music singer of the 20th century. She wrote few songs, but when she sang, she took on a deep, personal and intimate approach. Her vocal style and intonation was inspired greatly by the sound of the instruments she heard and was filled with a profound intensity. In that manner, she developed a new style, incorporating the manipulation of phrasing and tempo. Her recording of the song “Strange Fruit” is considered one of the most important songs in history, because of it’s powerful theme and topic, and because of Holiday’s powerful performance. She received multiple posthumous Grammy Hall of Fame awards and Grammy Best Historic Album awards for her work. Although her delivery may have been somewhat thin and her range fairly limited, there is no doubt that her voice was more powerful than any at the time could have hoped to be.
John Coltrane is virtually synonymous with the word “cool.” At the forefront of hard bop, Coltrane, a composer and saxophone virtuoso, made serious headway into becoming one of the most important figures in jazz music. Coltrane had a harsh, strident sound and played with extreme intensity. He was able to solo and improvise with astounding power, creating “sheets of sound.” Playing tenor and soprano sax, Coltrane could either play with a smooth melodic sound, or an unmatched intensity. His compositions, along with Miles Davis, helped redefine be-bop, with the introduction of modal harmony, and the “Coltrane Changes.” Coltrane, a figurehead of avant-garde jazz, was also prolific in his recordings, making about 50 albums in his career as band leader. He has been recognized extensively, with an induction in the Downbeat Jazz Hall of Fame, a Grammy Lifetime Achievement award, a Grammy for “Best Jazz Solo Performance,” and a church which worships him as a saint.
Groundbreaking pianist, organist, composer and bandleader, Count Basie led one of the most successful bands in history. For 50 years the Count Basie Orchestra, an incredibly popular group of musicians who included players like Lester Young, Sweets Edison, Buck Clayton and Joe Williams, maintained a reputation of one of the most swingin’ and hardhittin’ bands in America. Winner of nine Grammy awards, Basie introduced multiple generations of listeners to the big band sound. He wrote numerous standards like “April in Paris” and “One O’Clock Jump,” which, for years, have been covered by countless other artists. Basie is also remembered by his colleagues as being considerate, modest, relaxed and enthusiastic. Without Basie’s crucial presence on the scene, popular and big band music would be drastically different, and undoubtedly less influential than it has become.
The tenor saxophone is iconic of bebop and jazz music in general; and there is one person accountable for this: Coleman Hawkins. Hawkins innovation in swing and big band music was vital in the development of bebop in the mid 1940s. His contribution to the saxophone made the careers of people like John Coltrane, Sonny Rollins and Dexter Gordon possible. Hawkins’ original recording of “Body and Soul” in 1939 is considered a standard to which all tenor saxophonists set themselves. People like Thelonious Monk, Miles Davis and Max Roach can essentially attribute their successful careers to their early work with the “Hawk.” His ability to improvise led him to cover completely new ground, previously untouched by his contemporaries; it is because of this that the tenor sax is now such an important improvisational element of jazz music.
Few can match the swingin’ sounds of Goodman’s Big Band. Benny Goodman, known as the “King of Swing,” led one of the most popular bands of the early 20th century. His 1938 concert at Carnegie hall is considered to be one of the most important live shows in American music history, as it showcased jazz’ coming to prominence as a respectable art form. Despite being a major player of big-band swing music, Goodman also helped the advancement of be-bop. Having a one of the first racially-integrated music groups and being a strong opposer of Jim Crow Laws, Goodman promoted racial-equality by not touring the Southern States. Goodman was both an important influence in popular and jazz music, as well as a prominent Civil Rights activist.
One of the central figures of jazz in the 20th century, Miles Davis was at the forefront of multiple musical developments and the emergence of a plenitude of styles. He spearheaded the emergence of be-bop, hard bop, cool jazz, free jazz, fusion, funk and techno music. Keeping ahead of the game and consistently reinventing his musical style, the various lineups of his band, all of which were very successful, were always full of young brilliant players. Because of his success, many other artists were propelled to high levels of fame. Some of the famous jazz artists who owe their success to Miles include John Coltrane, Herbie Hancock, J.J. Johnson, Cannonball Adderley, Keith Jarrett, Bill Evans, Wayne Shorter and Chick Corea. Davis received various rewards in his lifetime, including eight Grammy Awards and a Rock and Roll Hall of Fame induction. Miles Davis was one of the best, most innovative, popular and influential musicians of the 20th Century.
When one thinks of jazz, they think “Charlie Parker.” Known simply as “Bird,” Charlie Parker was a pioneering jazz alto-saxophone player, bebop musician and composer. His fast, virtuosic playing, clean tone, and improvisational abilities greatly influenced other musicians at the time. His innovation in writing songs, using complex chord progressions and revolutionary harmonic form, changed the standards for composition and greatly influenced other jazz artists. Parker helped to contribute to the hipster persona associated with jazz, as well as the idea that jazz musicians were artists and intellectuals rather than simply entertainers. At the time a huge amount of other artists tried to copy Parker’s style, and often his solos and licks exactly. His influence is seen in almost every other contemporary musician and renowned jazz composer, many of whom named some choice standards after the “Bird.”
Duke Ellington was a hugely popular pianist, composer and big-band leader. He was one of the most important band leaders in music. Although known for his pioneering in jazz, Ellington also excelled in a variety of other genres, including gospel, blues, classical, popular and soundtrack. Because of his charisma and inventive use of his orchestra, Ellington is essentially responsible for making jazz an art form, similar to classical music. He received a large variety of awards and honors including 13 Grammy awards, a Pulitzer prize, a Presidential Medal of Freedom, a NAACP Spingarn Medal and Commemorative U.S. quarter to name a few. A considerable amount of musicians have been inspired by the “Duke,” including: Thelonius Monk, Sonny Stitt, Tony Bennett, Dizzy Gillespie, Oscar Peterson, Earl Hines and Joe Pass, as Ellington has proved to be one of the most important figures in jazz and music in general.
Arguably one of the most important figures in American history, Louis Armstong, known as “Satchmo” or “Pops” was an incredibly influential jazz trumpet player and singer from New Orleans. He is recognized as one of the greatest musicians of all time having a major role in the creation of modern jazz. With his virtuosic abilities on the trumpet, he is largely accountable for the recognition of the trumpet as a solo instrument in jazz music. He is also one of the first scat singers and is responsible for its popularization. His singing influenced people like Frank Sinatra and Bing Crosby, while his trumpet playing inspired the likes of Miles Davis and Dizzy Gillespie. His influence on music as a whole is almost immeasurable, both in terms of his singing and trumpet playing which have earned him a variety of honors and awards.
Notable Exclusions: J.J. Johnson, Wes Montgomery, Django Reinhardt, Ron Carter, Ella Fitzgerald, Paul Chambers, Elvin Jones, Herbie Hancock, Lester Young, Ray Brown, Gene Krupa, Frank Sinatra, Dave Brubeck, Freddie Hubbard, Earl Hines, Buddy Rich, Bill Evans, Red Garland, Clifford Brown, Dexter Gordon, Sonny Rollins, and Oscar Peterson.
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1 T
February 27th, 2010 at 1:34 am
Great list, I’m not really a jazz fan, but I enjoyed this list and learned quite alot. Good work ClassyKoehler.
2 maverik90
February 27th, 2010 at 2:04 am
Awesome list. I’m a big jazz fan, and I still learned a lot. Nice work. I think Al Jarreau or Jon Hendricks should be up there to represent the vocal jazz section of music (I know Lady Day is a jazz singer, but not nearly in the same strain as those two).
3 MaxKendra
February 27th, 2010 at 2:08 am
i love this list!
4 szebtrunans
February 27th, 2010 at 2:27 am
where is django reinhardt?
5 Phil
February 27th, 2010 at 2:34 am
No Brian Griffin?
lol
6 Justin Anthony Knapp
February 27th, 2010 at 2:37 am
Trane at six? Poor form; he’s a top 4 if you ask me. I suppose I should just be happy that you had Monk and Mingus.
-JAK
7 ned
February 27th, 2010 at 2:44 am
Monk sure played the piano like he didn’t like ivory very much.
8 archangel
February 27th, 2010 at 2:51 am
Coool sexy list =P
9 Adam
February 27th, 2010 at 3:03 am
Nice list, but where is Dave Brubeck?
Amazed he isn’t here.
10 Aus
February 27th, 2010 at 3:13 am
I fucking love this list.
11 ClassyKoehler
February 27th, 2010 at 3:28 am
Kickass.
12 ClassyKoehler
February 27th, 2010 at 3:33 am
Brubeck and Django are notable exclusions.
13 undaunted warrior
February 27th, 2010 at 4:04 am
Not into this type of music but you can see the writer knows his/her vibes.
Well written and researched thanks C.K.
14 Vera Lynn
February 27th, 2010 at 5:09 am
My father loved jazz. He passed 4 years ago yesterday. Thank you for this list. He wouldve loved it. I have all his old LPs and 78s.
15 oouchan
February 27th, 2010 at 5:28 am
My family loves jazz….except me. I just couldn’t get into it. I have maybe 4 songs that I like. After listening to these, I still feel the same, but I have a better appreciation for the style of music.
Nice list.
16 Lifeschool
February 27th, 2010 at 5:47 am
The closest I get to jazz is watching the Jools Holland show. I suppose that counts.
17 Nicosia
February 27th, 2010 at 5:49 am
No Cab Calloway?
18 ciremelf
February 27th, 2010 at 5:58 am
Great List!! One small problem… you left out guitar players. Charlie Christian, Django Reinhardt, Wes Montgomery, and Les Paul were all highly influential.
19 CastingCrowns
February 27th, 2010 at 6:12 am
Should have included Jelly Roll Morton, Jack Teagarden, Gene Krupa, Bessie Smith, and Joe “King” Oliver. Louis Armstrong never would have been the groundbreaking trumpeter he was without King Oliver.
20 AnotherEngine
February 27th, 2010 at 7:28 am
Honorable Mentions to Nina Simone, Sonny Rollins, Dexter Gordon, Albert Ayler, Ornette Coleman
21 Henning
February 27th, 2010 at 7:33 am
It is a really good list, but you have forgot about the biggest man: Miles Davis. He created modal jazz and with bitches brew he also created fusion. He is one of the most influental jazz players of all time and I can not understand why he is not in your list.
22 You mist spelled Armstrong
February 27th, 2010 at 7:36 am
you mist spelled Armstrong.
23 Henning
February 27th, 2010 at 7:38 am
sorry. I take back my comment. I didn’t see the name and with the video looking like a pianist I totally overlooked it. I am sorry!
24 EmergingAire
February 27th, 2010 at 7:43 am
When you say influential I assume you would mean teachers.The fact is many of these great musicians on your list could not read a note of music or lived such tortured lives that we are just left with there recordings and not the legacy of teaching Jazz. Please do not get get me wrong here,your list is awesome but,we should look at “influential” from the point of teaching as well as styling.Example: Oscar Peterson,Herbie Hancock,Jack Wilkins,Jerry Bergonzi and many other great teachers of Jazz.Anyway very enjoyable list and videos
25 benw
February 27th, 2010 at 7:48 am
great list! benny has always been a fav of mine and i think his placement is perfect
maybe a blues list next time would be awesome
26 JT
February 27th, 2010 at 7:58 am
Why does everyone always forget Sun Ra?
That guy was in a world of his own (literally)
27 Disc Huker
February 27th, 2010 at 8:04 am
this is LV at its best. i don’t know anything about jazz, but this list made me respect it and i am challanged by these musicians talent and passion.
ClassyKoehler, excellent list.
28 dustyjm
February 27th, 2010 at 8:05 am
Good list. Though, it would have been nice to see some guitar players represented. Maybe Pat Martino or something.
29 Jordan
February 27th, 2010 at 8:10 am
great list, although I am by no means a fan of jazz at all. However, as far as I am concerned, jazz musicians are on a different level of excellence all together. These people are insanely gifted. I was hoping to see Buddy Rich with more of a spotlight; it was good to see the video of him an Charlie Parker.
30 theseacaptain
February 27th, 2010 at 8:31 am
Absolutely love this list, especially the inclusion of Miles Davis so highly.
No Yoko Kanno? XD
31 deeeziner
February 27th, 2010 at 8:53 am
Jazz is something you have to sneak in on me. You know, movie scores, background music in restaurants, while on hold on the telephone.
I’ve heard of quite a lot of the artists featured here though. From the Cosby Show.
32 DoubleT
February 27th, 2010 at 9:00 am
Lovemaking to nina simone’s music can be all kinds of kinky, i miss her on this otherwise wonderful list. Tres classy, classykoehler, i salute both the idea and the execution!
33 General Tits Von Chodehoffen
February 27th, 2010 at 9:24 am
Awesome list. One could potentially argue to put Buddy Rich on here.
34 Chas
February 27th, 2010 at 9:36 am
An outstanding list and very well researched! As an enormous jazz fan, I would have like to see honourable mentions for Buddy Rich, Bud Powell, Errol Garner, Jimmy Smith and Lester Young – these players were hugely influential.
Bird Lives!!
=:~)
35 kgreer
February 27th, 2010 at 9:42 am
where’s Bix?
36 Brad
February 27th, 2010 at 9:46 am
Definitely disappointed that Django Reinhardt and Les Paul weren’t mentioned. Les Paul has influenced music more than ANY other human being ever! That’s not even debatable. He was also a phenomenal jazz musician.
And Django Reinhart has influenced the genre of jazz more than most of these on the list.
37 Carole
February 27th, 2010 at 9:52 am
This is just stating the obvious and nobody cares about jazz anymore.
38 iknownothing
February 27th, 2010 at 10:26 am
Well written list, but i’d rather push pins in my eyes than listen to jazz.
39 Arsnl
February 27th, 2010 at 10:32 am
I dont know anything about jazz but why is everyone complaining here? I know if you want to pretend you are smart (or that you know something about the topic in question) you have to complain but c’mon this is taking it to a whole new level.
Ps: before you ask for a notable mention: READ THE FINE PRINT.
40 eruiz
February 27th, 2010 at 10:55 am
Great list. Art Tatum has to be one of the great pianist of all time. Miles Davis is just phenomenal.
41 ClassyKoehler
February 27th, 2010 at 10:55 am
Thank you Arsnl, for those of you who have trouble reading, I did in fact include a list of notable exclusions which included Wes Montgomery and Django Reinhardt, in fact, they are at the top of the list.
42 Scaramouche
February 27th, 2010 at 10:56 am
It’s easy to argue about this list, there are so many individuals that seemed to revolutionize the jazz art form into its many veins of creativity. I think the idea was to include people that had the greatest influence on jazz as a whole. People like Sun Ra, who was very influential in the avante garde movement, have a more specific but nonetheless important role in jazz. Les Paul’s greatest achievement was creating the solid body guitar, and has a little more to do with rock history, specifically.
43 The Other Darren
February 27th, 2010 at 11:07 am
lol im speaking as a metalhead: great list…starting to listen to different types of music, their influences and nuances…jazz is really overlooked today
44 ldux
February 27th, 2010 at 11:16 am
“These grooves are better than your blue suede shoes”
45 Matt
February 27th, 2010 at 11:59 am
“Les Paul has influenced music more than ANY other human being ever! That’s not even debatable.”
Uh…yes it is.
46 heatherrr.
February 27th, 2010 at 12:35 pm
BEST LIST EVAR
47 Eurotrash
February 27th, 2010 at 12:47 pm
Great list!
I would of course include Django Reinhardt, but still.
48 VikingBerserker
February 27th, 2010 at 1:03 pm
Nice…
49 Joe13
February 27th, 2010 at 2:08 pm
No Howard Moon?
50 Maggot
February 27th, 2010 at 2:10 pm
Sweet list, ClassyKoehler. Your knowledge and passion shows. Tons of information and great clips. I feel cooler just having read and listened to it. I’m quite the hepcat now.
51 dopetype
February 27th, 2010 at 2:26 pm
fun list!
52 fajita
February 27th, 2010 at 2:28 pm
jazz kicks azz
53 Tryclyde
February 27th, 2010 at 2:55 pm
Good list. A topic that I don’t know alot about (except for the main players) and I was happy to expand my horizons. Also nice to take a break from religion and all the idiotic comments that come with it.
54 L Simpson
February 27th, 2010 at 3:15 pm
What about Bleeding Gums Murphy?
55 Gabriel
February 27th, 2010 at 3:17 pm
Jazz is not my thing. So I guess this list was ok.
Aside from Armstrong, Davis and Tatum, I have never heard of the people on this list..
56 JOE ROSSON
February 27th, 2010 at 3:40 pm
Good list although I don’t listen to jazz, but I must agree with Tryclide, it’s nice to see a list that does not stir up any religous or political rants. Just a nice list of some very good jass artists, nothing complex about that.
57 CQSteve
February 27th, 2010 at 4:05 pm
An interesting list, but let’s be honest, this is one of those lists that you could just keep adding to. One man’s master is another’s pleb.
58 David Hyde
February 27th, 2010 at 5:03 pm
List needs Bix. He had more influence than lots of these later guys if only because he came before them. Same with Django.
59 kirbluv
February 27th, 2010 at 5:23 pm
As technically astounding as Art Tatum was, I would put Earl Hines ahead of him on this list for his rhythmic and melodic innovations to jazz piano that no one before him possessed. He was the Louis Armstrong of his instrument, the guy whose skill presented a quantum leap in jazz piano.
I’d like to have seen a figure from the last 40 years (fusion-era Miles Davis notwithstanding) that might represent some recent developments. As stylistically atomized as jazz has become, there are people who keep furthering the art form, such as John Zorn, William Parker, the Art Ensemble of Chicago, Bill Frisell, Matthew Shipp, among others. I think it’d be more likely, though, that those names would come up in a debate on “Is it jazz?”
60 General Tits Von Chodehoffen
February 27th, 2010 at 6:18 pm
@Joe13 (49): Hahahaha it’s a shame isn’t it
61 agginym
February 27th, 2010 at 6:38 pm
@EmergingAire (24):
being influential has noting to do with being a teacher, it just means that their music and style influenced the future generation of musicians.
62 agginym
February 27th, 2010 at 6:39 pm
kick ass list by the way
63 Ant P.
February 27th, 2010 at 6:40 pm
no Astor Piazzolla?
64 Sotexson
February 27th, 2010 at 6:59 pm
You shold have mentioned that in the Benny Goodman video, that was Gene Krupa on the drums and the great Harry James on the trumpet.
65 FlashofFury
February 27th, 2010 at 8:03 pm
Thank God no one has said “No Kenny G???”
66 pre-modern
February 27th, 2010 at 8:31 pm
Forgive the bias, as he was one of my teachers, but Ellis Marsalis should be considered as a notable exclusion. His childrens’ influence, not to mention the monsters who studied under him (Blanchard, Connick, etc), show the footprint he’s left on modern jazz.
67 Luisa
February 27th, 2010 at 9:47 pm
Great list but you forgot Mr. Cab Calloway !!!!!
68 Matt
February 27th, 2010 at 10:54 pm
@Luisa (67):
I hate it when people declare that the list creator “forgot” something, as if these things were really so objectively apparent that the list creator must have obviously been in error not to include whatever was omitted.
People are so obnoxiously arrogant these days; they’ve now become unable to distinguish between personal opinion and objective fact.
This applies to everyone here bitching about omissions, not just Luisa’s (although Luisa’s was the last straw that prompted me to write this).
69 marce11o
February 27th, 2010 at 11:35 pm
I like this list. The names readers are mentioning and saying should have been included I haven’t even heard of. The list only fits 15, ok? He had to pick 15 and those were the guys and they’re all big names.
70 ciremelf
February 28th, 2010 at 12:54 am
@Matt (68): You are absolutely right. I hereby retract my earlier comment (18) and hang my head in shame for being so foolish as to comment on an omission. Bad me… oh so very baaaad!
Does that make you feel better?
71 Pynch
February 28th, 2010 at 1:10 am
Louis Armstrong wasn’t influential; he was beloved. Coletrane, Parker, Hawkins, Hancock, even Dameron, changed jazz. Without a doubt, one of the most influential jazz musicians (if you actually consider their effect on other jazz musicians, which this list seems to be ignoring, focusing solely on popularity) was Horace Silver.
72 Pynch
February 28th, 2010 at 1:14 am
You also state that The Jazz Messengers launched the career of Silver. Strike that, reverse it. Silver started the Messengers then left, when Blakey took over. I guess Silver was, rightly so, miffed that Blakey couldn’t distinguish between rhythm and melody.
73 maverik90
February 28th, 2010 at 1:33 am
@pynch (71): Are you kidding? Armstrong was so influential! He did things with a trumpet that no one else had dared to do before. While so many players just sort of toyed around with music, Armstrong took it by the neck and wrestled with it for kicks. It may seem like what he did isn’t too remarkable now, since jazz has definitely shifted to appreciate the more daring soloist, like Armstrong, but back then, it was amazing. It’s kind of like Citizen Kane. The cinematography is not that fantastic now, but for the time, it was amazing
74 Whatever
February 28th, 2010 at 4:17 am
You might think he’s too recent but… where is Jaco Pastorius? He is surely one of the most influential musicians of all times, and not only in jazz.
His sound can be heard in every bass player.
75 charlimara
February 28th, 2010 at 5:04 am
thank you, great list to get started on jazz!
76 C.L.
February 28th, 2010 at 5:17 am
It was great to see Charlie Parker ranked so high. His rendition of “Summertime” is one of the sexiest songs ever composed. No matter your gender or sexual orientation, if you put that on, fireworks.
77 Kenny G.
February 28th, 2010 at 11:21 am
Hey, why am I not on this list? XD
78 Scratch
February 28th, 2010 at 11:28 am
Great list, ClassyKoehler, you’ve provided me with some wonderful listening.
79 Oakes
February 28th, 2010 at 1:41 pm
I take issue with leaving Django off the list (he’s probably the most influential guitar player of all time, not just in jazz) but thanks for giving love to Benny Goodman. “Clarinet a la King” is one of the greatest songs ever written.
80 Matt
February 28th, 2010 at 2:57 pm
@ciremelf (70):
Talk about an empty rebuttal.
It’s one thing to suggest who you think would also be worthy of being on this list. It’s quite another to rebuke the list creator for “forgetting” something. In your case, it’s even worse when you accuse the list creator of forgetting people who were LISTED IN THE NOTABLE EXCLUSIONS at the very end of the list.
So yes, you SHOULD hang your head in shame for being so foolish. You do not deserve to be so pompously sarcastic.
81 ciremelf
February 28th, 2010 at 7:11 pm
@Matt (80): The notable exclusions was not there when I made my original comment. since you started commenting after it was added i just figured I would let you know. Thank you for understanding.
82 ciremelf
February 28th, 2010 at 7:20 pm
ok scratch my last comment…. my mistake. have a great night everyone.
83 classy’smom
February 28th, 2010 at 9:01 pm
Pretty cool list written by a high schooler…in my opinion.
84 Shawn
February 28th, 2010 at 10:14 pm
In my opinion, Louis Jordan should have been on this list.
85 dr. Hannibal Lecter
March 1st, 2010 at 4:51 am
Another notable exclusion, Billy Cobham, is just awesome.
86 mullet
March 1st, 2010 at 5:02 am
Sarah Vaughn
87 nicoleredz3
March 1st, 2010 at 5:24 am
Oh, man! I love jazz! My favorite is Dizzy Gillespie. Awesome list, dude!
88 Woody
March 1st, 2010 at 10:40 am
These are usually good lists but this has too many coloreds on it.
89 Warg
March 1st, 2010 at 11:36 am
@ Woody
Yeah posting a comment like that on a list about Jazz?
Someones looking for attention.
90 alpenstocks
March 1st, 2010 at 12:49 pm
Brubeck. No Brubeck, no list.
91 rocknopera
March 1st, 2010 at 11:33 pm
Wow… I play in a band with Mingus’ Nephew… It was really cool to see him on the list.
92 clarey bug
March 2nd, 2010 at 7:59 am
@AnotherEngine (20): it really is a shame to not see nina simone on this list. she doesn’t even make the “honorable mentions” list!
for someone whose songs are still heard rather often whether it be on television or radio, surely she was more influential than most of these guys who a lot of people wouldn’t have heard of.
93 Bizarri
March 2nd, 2010 at 1:35 pm
Man, i love Miles Davis in many of his phases… but saying he spearheaded the emergence of techno music sound a little ignorant about the history of techno.
Thank you very much for the very nice collection of videos, though. That made my afternoon happier.
94 Riseabove
March 2nd, 2010 at 9:46 pm
Love It. Good work. I’d love to see one with modern artists. DiMeola. Chick Corea. Maybe Metheny. Coryell etc… Great list.
95 PeterPepperPicker
March 3rd, 2010 at 7:41 am
Stupid list. There are far too many musical artists who have played, or are playing jazz to list.
96 letrangerr
March 4th, 2010 at 10:39 pm
How come nobody mentions Bill Evans,
he transformed jazz into something completely new, together with George Russel, having a huge influence on Miles davis’ and Coltrane’s sounds. Plus…
97 tromboneboy34
March 18th, 2010 at 7:20 pm
I can’t beleive J.J. Johnson wasn’t included on this. He was a great composer and he single handedly turned the trombone into a bebop instrument. His improvisation and range on the trombone has far surpassed any trombone player that has ever lived.
I guess if this were a list of the best jazz musicians he’s be near the top.
98 bart
April 30th, 2010 at 5:53 am
i think coltrane should be way higher, maybe even first place. i mean he has influenced every single saxophone player in last 40 years. his range was so vast that because of his early recordings and playing with miles (kind of blue’ with it’s modal jazz introduction is probably the most influential jazz album ever) he has influenced all mainstream post-bop jazz (including narrow-minded wynton marsalis crew) and thanks to his later explorations he influenced all free-jazz avantgarde players, without it there would be no aacm, no downtown scene, no loft scene or any of the later free-jazz movements and innovations. he’s the only player ever to have such a commanding influence on both end of the mainstream – avantgarde opposition.
davis is right next since he has definitive influence on both post-bop and fusion , funk-jazz genre
and i agree also on bill evans – every piano trio after him was kinda post-evans style (including keith jarrett)
i would place benny goodman lower, sure he is point of reference to every clairnet player out there, but (sadly) since the swing era clarinet has never been so popular, giving it’s place to saxophone
pastorious changed the way el.bass was played but again, it’s less popular instrument in jazzso i wouldn’t put it in him
but one great omission is ornette coleman!!! come on, he has influenced so many!!!
and i’d like to see someone whose attitude to jazz was purely avant, i think cecil talyor could be called the most influential in that subject.
99 bart
April 30th, 2010 at 5:57 am
and one other thing – miles davis never played free jazz, in fact he had rather negative idea on ornette coleman music, or coltrane’s later recordings for that matter.
which doesn’t mean he haven’t influenced also free players, greatest example being wadada leo smith and his tribute project to miles fusion era
100 Will Trame
July 8th, 2010 at 2:39 am
Overall, this was a pretty good list. I’m developing an affinity for jazz as I age and it’s nice to see performers like Art Tatum and Max Roach listed here. However, i do think that John Coltrane should have been ranked higher. Where’s Jellyroll Morton? I agree with the posters who mentioned Dave Brubeck and Jaco Pastorius, as well.
For a future list…if you haven’t done so already…why not list rock performers who were heavily influenced by jazz? There are a number of them out there.
101 Bartosz Adamczak
July 28th, 2010 at 7:01 pm
maybe it's because the most influential music she did wasn't jazz