Top 10 Cinematographic Masterpieces
- Published September 23, 2007 - 97 Comments
At the risk of being bombarded by hate-mail, I am doing another movie list! This is a list of the ten greatest cinematographic masterpieces. While many of these cinematographers have created more than one brilliant film, I have only included one each. Be sure to name your own favorites in the comments.
10. American Beauty 1999, Conrad L. Hall Amazon
Lester and Carolyn Burnham are on the outside, a perfect husband and wife, in a perfect house, in a perfect neighborhood. But inside, Lester is slipping deeper and deeper into a hopeless depression. He finally snaps when he becomes infatuated with one of his daughters friends. Meanwhile, his daughter Jane is developing a happy friendship with a shy boy-next-door named Ricky who lives with a homophobic father.
9. Memoirs of a Geisha 2005, Dion Beebe Amazon
In 1929 an impoverished nine-year-old named Chiyo from a fishing village is sold to a geisha house in Kyoto’s Gion district and subjected to cruel treatment from the owners and the head geisha Hatsumomo. Her stunning beauty attracts the vindictive jealousy of Hatsumomo, until she is rescued by and taken under the wing of Hatsumomo’s bitter rival, Mameha. Under Mameha’s mentorship, Chiyo becomes the geisha named Sayuri, trained in all the artistic and social skills a geisha must master in order to survive in her society. As a renowned geisha she enters a society of wealth, privilege, and political intrigue. As World War II looms Japan and the geisha’s world are forever changed by the onslaught of history.
8. The Godfather 1972, Gordon Willis Amazon
Vito Corleone is the aging don (head) of the Corleone Mafia Family. His youngest son Michael has returned from WWII just in time to see the wedding of Connie Corleone (Michael’s sister) to Carlo Rizzi. All of Michael’s family is involved with the Mafia, but Michael just wants to live a normal life. Drug dealer Virgil Sollozzo is looking for Mafia Families to offer him protection in exchange for a profit of the drug money. He approaches Don Corleone about it, but, much against the advice of the Don’s lawyer Tom Hagen, the Don is morally against the use of drugs, and turns down the offer. This does not please Sollozzo, who has the Don shot down by some of his hit men. The Don barely survives, which leads his son Michael to begin a violent mob war against Sollozzo and tears the Corleone family apart.
7. Morte a Venezia 1971, Pasqualino De Santis Amazon
In this adaptation of the Thomas Mann novel, Death in Venice, avant-garde composer Gustave Aschenbach (loosely based on Gustav Mahler) travels to a Venetian seaside resort in search of repose after a period of artistic and personal stress. But he finds no peace there, for he soon develops a troubling attraction to an adolescent boy, Tadzio, on vacation with his family. The boy embodies an ideal of beauty that Aschenbach has long sought and he becomes infatuated. However, the onset of a deadly pestilence threatens them both physically and represents the corruption that compromises and threatens all ideals. The closing scene is, in my opinion, one of the greatest and most tragic caught on film.
6. Barry Lyndon 1975, John Alcott Amazon
Barry Lyndon, directed by Stanley Kubrick, recounts the exploits of an unscrupulous 18th century Irish adventurer (Barry Lyndon nĂ© Redmond Barry), particularly his rise and fall within English society. Ryan O’Neal stars as the title character. The Photographer, Alcott, used three f/0.70 lenses developed by Zeiss for NASA for use in the Apollo moon landings, which Kubrick discovered in his search for a lens that could film in low-light situations. The super-fast lens allowed him to shoot scenes lit with actual candlelight with an average lighting volume of only three candlepower. In fact, the film features the largest lens aperture in film history. Alcott won an oscar for his work on this film.
5. Ben-Hur 1959, Robert Surtees Amazon
When Prince Judah Ben-Hur hears that his childhood friend Messala has been named to command the Roman garrison of Jerusalem, he is thrilled. He soon finds however that his friend has changed and has become an arrogant conqueror, full of the grandeur of Rome. When Judah refuses to divulge the names of Jews who oppose Roman rule, Messala decides to make an example of him and sends him off as a galley slave. Through fate and good fortune, Judah survives the galleys and manages to return to Jerusalem in the hopes of finding his mother and sister, who were also imprisoned, and to seek revenge against his one-time friend.
4. Apocalypse Now 1979, Vittorio Storaro Amazon
Vietnam, 1969. Burnt out Special Forces officer Captain Willard is sent into the jungle with top-secret orders to find and kill renegade Colonel Kurtz who has set up his own army within the jungle. As Willard descends into the jungle, he is slowly over taken by the jungle’s mesmerizing powers and battles the insanity which surrounds him. His boat crew succumbs to drugs and is slowly killed off one by one. As Willard continues his journey he becomes more and more like the man he was sent to kill.
3. Wo Hu Cang Long 2000, Peter Pau Amazon
This film is also known as Crouching Tiger, Hidden Dragon. Li is a great warrior, famous throughout QING China for his adventurus life. He decides to give his powerful, ancient sword as a gift to an old friend of his, but soon the sword is stolen by a mysterious master of the martial arts. Now, it’s up to Li to uncover the thief and return the sword to its rightful owner.
2. Schindler’s List 1993, Janusz Kaminski Amazon
“Schindler’s List” is the based-on-truth story of Nazi Czech business man Oskar Schindler, who uses Jewish labor to start a factory in occupied Poland. As World War II progresses, and the fate of the Jews becomes more and more clear, Schindler’s motivations switch from profit to human sympathy and he is able to save over 1100 Jews from death in the gas chambers.
1. Shichinin No Samurai 1954, Asakazu Nakai Amazon
A veteran samurai, who has fallen on hard times, answers a village’s request for protection from bandits. He gathers 6 other samurai to help him, and they teach the townspeople how to defend themselves, and they supply the samurai with three small meals a day. The film culminates in a giant battle when 40 bandits attack the village.
Notable Omissions: The Passion of Joan of Arc, 2001: A Space Odyssey
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September 23rd, 2007 at 8:35 am
I suck at trying to pick out good cinematography. But a great list of movies nonetheless.
September 23rd, 2007 at 8:42 am
There’s something wrong with the still of Crouching Tiger Hidden Dragon.. the guy has a super-imposed head instead of Chow Yuen Fatt. Just thought I’d let you know
September 23rd, 2007 at 8:55 am
requiem for a dream? Matthew Libatique? no?
September 23rd, 2007 at 10:10 am
Bill: I love Requiem for a Dream – it is one of my all time favorite films – I just don’t think it can be ranked in the top 10 for cinematography. I am thinking of doing a top 10 drug movies – it will certainly be ranking high there
September 23rd, 2007 at 10:12 am
thats it! you should rename the list to:
My! Top 10 Cinematographic Masterpieces!
September 23rd, 2007 at 10:13 am
raven: thanks – corrected.
Juggz: The interesting thing I found in doing the research for this article, was that most of the films that won awards in this category are films that I have always loved but never really knew why. That is probably a good start
September 23rd, 2007 at 10:51 am
No 2001?
C’mon man.
And no reference to the groundbreaking work of Christopher Doyle either?
For shame.
September 23rd, 2007 at 10:54 am
American Beauty and Apocalypse Now was a great films. I will need to see the rest on your list though.
September 23rd, 2007 at 11:54 am
JT: Yes – 2001 was brilliant – I agree. But as a photographer, Unsworth really only had the one hit. As for Doyle, rest assured he is respected here – I included Mou gaan dou on the top gangster movies.
Andre: Start with Death in Venice – it is astounding. True art in film form.
September 23rd, 2007 at 12:29 pm
jfrater: I think it’s unfair to say that he only had one hit. Tess? Zardoz? Cabaret? And anyway, the list title is ‘cinematographic masterpieces’ not ‘cinematographers’.
September 23rd, 2007 at 12:35 pm
JT: okay – I concede – I will put him on the notables list
September 23rd, 2007 at 3:13 pm
nice list.
some other notables:
THE HUSTLER(eugen schufftan)
-one of my all time favorites. the shadowing, the long shots, the wide angle distance shots, the close ups of minnisota fats’ hands, paul newman’s swagger around the pool table… this film is beautiful.
ONCE UPON A TIME IN THE WEST(tonino delli colli)
-in combination with the score(ennio morricone) and the dialogue(mickey knox), tonino delli colli’s cinematography, makes ONCE UPON A TIME IN THE WEST legendary. from the sweat on henry fonda’s face to the stoic glare of charles bronson, this cinematographic masterpiece is the opus of facial close ups. colli also was the cinematographer for the THE GOOD THE BAD & THE UGLY AND SALO.
RAGING BULL & TAXI DRIVER(michael chapman)
-you can’t have a cinematographic masterpiece list without having at least one of these classics on it. forget the story telling, these films are pure forms of eye candy. artsy & grimy don’t usually go together, but chapman gives it to you raw and theatrical(view the lamotta/robinson fight sequences in RAGING BULL & the climax in TAXI DRIVER)… the shot of deniro(travis bickle) holding his hand like a gun to his head, is embedded in everyone’s memory after seeing this film.
a couple of contemporary classics that i would place above AMERICAN BEAUTY:
OLDBOY(jeong-hun jeong)
-uncut hallway fight sequence, the lens following a purple laser light to the purple solution box… this film had everybody in the theatre left with an open jaw.
SEVEN(darius khondji)
-the transition from gloomy & rainy to the daylight climax took the average fan at least two viewings to catch.
…i found your site through reddit.com(link to the 20 optical illusions). great fucking site! i’m lovin’ the historical lists. excellent brain food.
it’s cool that you consider lists from anybody. i will attempt submitting some lists. thanks.
September 23rd, 2007 at 3:52 pm
Can’t really disagree with any of the choices. I like American Beauty for other reasons than the way it was shot. Barry Lyndon is an endurance test, but it’s made easier because of the lushness. The Godfather’s orange hues have stood the test of time.
Kenneth Branagh’s Hamlet probably deserves some mention here. The Last of the Mohicans was great too. Out of Africa, Psycho, The Last Emperor, Unforgiven, Oh Brother Where Art Thou?, and The Sting could all be on my list. (and about 100 others)
Also – I could never understand why Sin City didn’t win over anybody’s mind on technical matters, I think it was unlike just about anything out there.
September 23rd, 2007 at 4:10 pm
Very much enjoyed this list. I will have to see many of those, as I am a huge fan of good cinematography. The ones you do have on the list that I have seen I would definately have to agree with though! I am especially excited to watch 5.
September 23rd, 2007 at 4:37 pm
8 1/2 and Lawrence of Arabia?
September 23rd, 2007 at 5:11 pm
good call on once upon a time in the west there, thats a good one
September 23rd, 2007 at 5:50 pm
Barry Lyndon is the best Cinematographic Masterpiece… ever
September 23rd, 2007 at 7:17 pm
I would like to mention Russian Ark because it was filmed in one single 90-minute long shot. It’s set in the Winter Palace in St. Petersburg, and includes, as the film’s marketing says “2,000 Actors. 300 Years of Russian History. 33 Rooms at the Hermitage Museum. 3 Live Orchestras. 1 Single Continuous Shot.”
It’s kind of weird to watch at first; I realized something was unusual about it but couldn’t figure out what (I am obviously not the most observant person). I think it’s worth watching the DVD just for the special feature on the production of it.
September 23rd, 2007 at 7:59 pm
What an odd grouping.
In any case, I see the thought process here. Sort of Wagnerian…maybe not…I mean,,,..what the hell am I saying? a collective of impact, a grandure of a sensualized rush? ah..who knows.
Spread the spectrum out a bit….Ah… But perhaps our seeing faculties are as limited as our creations….No, There is something more….
September 23rd, 2007 at 9:58 pm
Seven Samurai…fantastic movie.
September 23rd, 2007 at 10:22 pm
I remember watching “One Hour Photo” and liking how it was portrayed, also “What Dreams May Come”.Just wanted to bring these movies up and see what you guys thought, I love the list you made though.
September 23rd, 2007 at 11:26 pm
The Godfather was ‘72, man.
And Hall’s cinematographic masterpiece is ‘Road to Perdition’.
Other than that, great work. Have you ever seen any of Bergman’s work with Sven Nykvist? Just stunning stuff, I urge you to check it out because his absence here is keenly felt. I also recommend Vilmos Zsigmond, whose outstanding work can be found in ‘McCabe & Mrs. Miller’ (which is a transcendent film for many other reasons besides).
September 23rd, 2007 at 11:28 pm
YES! Akira Kurosawa was the man, I love Seven Samurai.
September 24th, 2007 at 12:24 am
Wow – you guys certainly are film lovers! Thanks for all of the additions and corrections. The wrong date on Godfather was because I replaced another item and forgot to update the date – I will fix it now. I am going to have to try to see all of the films you have mentioned here because they all sound brilliant. Some of them were very close to making the list.
Mathilda: large parts of that film are on youtube – it looks stunning. Thank’s for bringing it to my attention.
September 24th, 2007 at 2:12 am
I love this list and i wish you would make a list about movies every week at least
I love American Beauty and i was happy to find it there. Why didn’t you include Pulp Fiction or Natural Born Killers? These are great movies just like all Tarantino movies. All in all-awesome list!
September 24th, 2007 at 2:20 am
I’m somehow missing the “Lord of the Rings” trilogy. Love it or hate it, every single one of them is definitely a masterpiece, even up to the extreme standard that was set in the novel.
–
J
September 24th, 2007 at 6:07 am
Reea: I really enjoy doing the film lists so you can be sure there will be more!
Jeremy: The Lord of the Rings was excellent – but I think the films above rank higher
September 24th, 2007 at 8:18 am
I’m sorry but I didn’t like Apocalypse Now at all, only the last half hour of it was interesting to me.
I read Memoirs of a Geisha but wasn’t sure if the movie would do the book justice. I’ll have to check it out though.
September 24th, 2007 at 12:48 pm
I glad to see Asakazu Nakai for Seven Samuri but omitting Lawrence of Arabia is hard to do. Actually, I think one of the best pieces of cinematography is The Natural – every shot is gorgeous.
September 24th, 2007 at 8:06 pm
“Pi” should be on this list
September 24th, 2007 at 10:45 pm
How about Polanski`s Fearless vampyre hunters, or S.Friers`s Draughtman`s contract. Also think P. Vier`s The picnic at Hanging rock or take a pick at A. Hitchock or Jerzy Mencl
September 25th, 2007 at 12:34 am
Dave: really? I did enjoy Pi a lot but its photography never really stood out to me.
Gaga: Excellent additions – thanks. Polanski is a Brilliant director.
September 25th, 2007 at 5:24 am
My mistake, Draughtsman`s contract is P.Greenaway`s.
September 25th, 2007 at 6:52 pm
If you are looking at Peter Greenaway and cinematographic masterpieces, then you must put in Prospero’s Books. Very heavy and difficult to watch, but so beautiful and shot on HD video instead of Film so that all of the effects were possible. I believe this is the first film ever to be shot entirely on HD video.
September 25th, 2007 at 10:15 pm
gaga: I like Greenaway a lot – I have a copy of Drowning by Numbers which is a brilliant little film and not without its share of stars!
Scoop: I have heard of, but not seen, Prospero’s Books – it looks like I had better get a copy.
September 26th, 2007 at 11:37 am
Where do you leave names like Nestor Almendros, Jordan Cronenweth (Blade Runner), Alex Thomson (Excalibur), Conrad Hall, Vilmos Zsigmond……
All these people are exceptional masters!!!
September 26th, 2007 at 11:43 am
Grabdebulla: Conrad Hall is on the Top 10 Best of the Best in Movies.
September 27th, 2007 at 1:29 am
Consider also, as a true masterpiece, “Stalker” (1978) directed by Andrey Tarkovski – Russia
September 27th, 2007 at 4:37 pm
Dave: really? I did enjoy Pi a lot but its photography never really stood out to me
Of course, it was brilantly shot.
Iam kinnda biased twards it since its my favorite movie of all time so it should be on every top 10 list.
October 8th, 2007 at 2:31 am
Top 10 Cinematographic Masterpieces and no Citizen Kane (Orson Welles)?
October 8th, 2007 at 3:40 am
PLT: Welles is listed on the greatest in movies list, and Citizen Kane is on the Top 15 Amazing Long Takes
October 22nd, 2007 at 7:34 pm
I’m surprised Amelie is not on this list. But still great movies, and great list once again.
October 26th, 2007 at 3:08 pm
It looks like you could easily amend this to a top 100 list!
My two cents: for pure cinematography I would recommend Koyaanisqatsi by Godfrey Reggio, and Ran by Kurosawa.
October 26th, 2007 at 3:12 pm
Richard: you strike at my heart strings with Koyaanisqatsi – for the music by Philip Glass whom I love!
December 1st, 2007 at 12:53 am
That was so interesting about the lenses in Barry Lyndon. I’m exploring the effects of shallow DOF and fast lenses right now in photography. I’ll have to go take a look at that movie.
December 1st, 2007 at 1:00 pm
how come u didn’t add Lord of the Rings, Lawrence of Arabia, Fiddler on the Roof,Brokeback Mountain including many others.
Iknow cinematography is credited by viewer perception but if u had followed the rules of basic picture composition then u would notice that u have left out quite a few names that would easily rank high on the list. By the way Citizen Kane should have been on top of the list
December 3rd, 2007 at 8:28 pm
Hero was superb in this respect. Lost in Translation was also beautiful. great list
December 11th, 2007 at 1:17 am
nice list. also bladerunner, the mosquito coast come to mind…
December 11th, 2007 at 2:02 am
eric n. I love bladerunner – it is on one of the other lists here – I think it might be the top sci fi movies.
January 10th, 2008 at 7:40 am
I submit for your approval: Empire of the Sun (specifically when he encounters the plane for the first time as sparks are flying around him.)
January 14th, 2008 at 8:50 pm
You have missed out on Tarkovsky’s, Kurosawa’s Rashoman, Ray’s Pather Panchali and some other cinematic masterpieces.
January 14th, 2008 at 10:14 pm
and Motorcycle diaries, the road to perdition
January 16th, 2008 at 1:41 am
American Beauty is an excellent film
January 25th, 2008 at 5:45 am
Empire of the Sun. I’m a grown man and it brings tears every time I watch it.
January 25th, 2008 at 5:49 am
Cec: it is a brilliant film – I agree.
February 3rd, 2008 at 6:59 pm
Seven samurai is such a wicked movie on so many levels. The cinematography’s amazing I was surprised not to see it
February 16th, 2008 at 5:32 pm
lawrence of arabia?
March 12th, 2008 at 10:09 pm
i think you could make the argument that raging bull should be on here or even a wes anderson movie
April 15th, 2008 at 6:44 pm
two words: Sunset Boulevard
May 18th, 2008 at 2:59 pm
Personally, I’m rather upset that Requiem for a Dream isn’t on this list. That was one of the most powerful and touching movies i’ve ever witnessed.
July 13th, 2008 at 10:28 pm
what about
motorcycle diaries
amelie
the man who wasn’t there
brokeback mountain
cidade de deus
in the mood for love
July 17th, 2008 at 12:43 am
There are many extraordinary films that should be in this top ten list of yours but two stand out above the rest. No. 1 is “Citizen Kane”, Orson Welles and DP Gregg Toland together created, without a doubt, one of the worlds true masterpieces, and No. 2 is “RAN” one of Akira Kurosawa greatest films. He worked with three DP’s but you wouldn’t know it. Their collaboration together was seamless and beautiful.
July 17th, 2008 at 3:16 pm
Apocalypse Now #1
July 31st, 2008 at 9:12 am
Personally, I loved the cinematography for “El Laborinto del Fauno” (Pan’s Labrynth)
August 8th, 2008 at 9:13 pm
Yes Pan’s Labyrinth is a very good choice.
But a new movie which has some pretty awesome cinematography is THE FALL. See it on a big screen if you still can.
August 14th, 2008 at 9:54 pm
I think that Alex Thomson’s work on Eureka and Year of the Dragon is some of the best cinematography that I have seen on the big screen.
Another film whose cinematography has been criminally underrated is The Man Who Fell to Earth by Anthony Richmond.
August 26th, 2008 at 7:56 am
Days of Heaven?
September 4th, 2008 at 8:54 pm
As a young film maker I have to say that I’m confused as to how Citizen Kane didn’t make this list. If we are strictly taking cinematography, that movie is #1! That amazing deep focus shot I’m sure anyone who studies film knows about…and have you seen it on an HD television? The 35mm film stock they used for that project is better than HD and looks razor sharp and as high quality as films produced today. The use of lighting, Lens, and camera movements were well beyond the time this film was actually produced
October 4th, 2008 at 1:49 pm
man, shawshank redemption and forrest gump were awesome! alongside with casablanca, the silence of the lambs or the return of the king…
October 4th, 2008 at 2:02 pm
I think it’s funny that they threw so much talent and money at “Memoirs of a Geisha” and the movie still stunk. I mean, it wasn’t the worst film even, but they Americanized it horribly.
They had Ziyi Zhang and Ken Watanabe as well as other big Asian actors. Steven Spielberg and John Williams composed with Itzhak Pearlman and Yo Yo Ma on solo pieces. The cinematography was wonderful, but the movie was still- meh.
October 4th, 2008 at 2:49 pm
the city of lost children, casshern, hero, pan’s labyrinth, great expectations (the new one), the pianist
October 9th, 2008 at 1:22 pm
Disappointed at the lack of The Wizard of Oz (when the movie surprisingly changes from black-and-white Kansas to the bright colors of Oz… that has to be one of the most amazing cinema moments of all time), but you put my all-time favorite movie as number one, so I forgive you.
November 1st, 2008 at 12:33 am
No John Ford?? Take your pick of any of his films.
November 23rd, 2008 at 9:50 pm
Cinema Paradiso, directed by Giuseppe Tornatore is a great work of cinematography as well is Amelie, directed by Jean-Pierre Jeunet. Both I would recommend to someone who admires film and cinematography. Amelie is a bit weird (heads up), but still well shot and interesting!
December 6th, 2008 at 8:30 pm
Bruno Delbonnel for Amelie, Across the Universe, Infamous, Paris, Jetaime ( He is also doing Half-Blood Prince)
Blasco Giurato for Cinema Paradiso
Lajos Koltai for Malena and Legend of 1900
Christopher Doyle for Wong Kar Wai films especially In The Mood For Love and Happy Together, and of course Hero
December 9th, 2008 at 6:39 pm
I agree with Andy. Make sure to watch the Fall if you ever get a chance to. We watched it in my photography class and everyone loved it.
December 15th, 2008 at 8:45 am
I generally like your lists, but I think you definitely needed to put the Korean masterpiece Hero up here…One of the most stunning films I’ve ever seen.
December 19th, 2008 at 4:05 am
Glory, the 1989 Civil War movie with Matthew Broderick and Denzel Washington, was stunningly beautiful on the big screen. (It won’t come across as such on the small screen, you had to see in a good theatre). Not in an artsy way, but the technical aspect of the cinematography was amazing. I couldn’t believe that none of the reviews I read about it even mentioned the cinematography. It did win the Oscar for cinematography, though, so I guess a few other people noticed.
January 7th, 2009 at 4:49 pm
No “The Natural”?!? Oh, please!
No “Duellists”? Every frame suitable for…well…framing. And far superior to most of the movies mentioned here.
No “Lawrence Of Arabia”?
No “Alien” (yes, I know that’s two Ridley Scott movies here, but let’s face it…Ridley’s probably the greatest cinematographer/director there’s been, and that even includes Kubrick. Perfectly symmetrical composition does not a movie make.)
Very pleased to see “Across The Universe” mentioned. Astonishingly put together movie. Highly underrated.
“Wings Of The Dove” (amazing widescreen compositions)
“The Empire Strikes Back”.
Some of the choices here (“Casshern”; “Brokeback Mountain”; “American Beauty”) I would rate — at best — as “average”. When someone makes an argument for “Motorcycle Diaries”…well, honestly. I’d put “Zulu” or “The Man Who Would Be King” up against that, any day of the week.
January 11th, 2009 at 9:56 pm
I fucking love seven samurai now
January 20th, 2009 at 10:54 am
Good choices! Cinematography is always a hard one to figure out because there are so many good references. Along with many of your list, I’d probably include
-Lord of the Rings
-Pan’s Labyrinth
-What Dreams May Come
-Brokeback Mountain
-Amistad
-RENT. Not highest on my list but of those stage-to-film adaptaions, I think it’s the best translation.
March 24th, 2009 at 3:29 pm
I love you movie lists, don’t stop!!!
March 30th, 2009 at 10:12 pm
Only one person mentioned Tarkovsky…sad…
April 2nd, 2009 at 12:50 pm
What about Terence Malick’s Thin Red Line or 300 . . . I loved the Red Violin, and I agree with you dm – Delbonnel’s Amelie . . . that was delicious eye candy. I agree with the LOTR trilogy being listed those films were magical viewing experiences. Great community input here – loved reading everyone’s two cents!!
April 14th, 2009 at 3:42 am
Overall… I can say I like this list
But I don’t know why you americans love American Beauty so much. What is so special about this film? I had fun watching it, the acting was good, the situations were interesting, but overall it wasn’t THAT good to place the movie in a top 10 cinematographic Masterpieces. I think there are a lot of other american movies to add to this list. American Beauty was sort of “trashy” (if the word exists)or pervert, the father of the girl having a love affair with the girl’s friend was way too much. And I don’t see where the “Beauty” is in the entire movie (well I can understand guys liking the blonde girl)
Thank God I don’t see Woody Allen in any of the movies listed!
April 14th, 2009 at 4:14 pm
the godfather and schindlers list: gorgeous
July 3rd, 2009 at 10:39 am
did anyone notice that in crouching tiger hidden dragon that you could clearly see the strings attached to the actors and props, and for some reason the people seemed to fly?
July 25th, 2009 at 7:48 pm
I loved Memoirs of a Geisha! I know its recent, but I thought that Public Enemies was amazing. The camera work gave it a real first person perspective, at least for me!
July 31st, 2009 at 12:06 am
City of God? Trainspotting? Citizen Kane?
August 9th, 2009 at 11:37 am
I’ll add Dr. Zhivago and Jaws and second the LOTR trilogy…
August 21st, 2009 at 9:30 pm
I know i’ll get a lot of flack for this but I consider Children of Men as having some of the best cinemotography in all of movie history. The scene with the baby being caried down the stairs is one of the most amazing pieces of cinemotography ever.
12 Angry Men I’d also consider one of the best simply the way the cinemotography is able to capture the intensity of the situation in two very bland rooms
September 12th, 2009 at 7:46 am
I very much agree with Schindler’s List being on here. That was a brilliant movie. I also think that What Dreams May Come belongs on here. That movie has my all time favorite cinematography.
October 20th, 2009 at 2:27 am
Nice list
Although “best” cinematography is a variable term depending on the taste
If it was me id have replaced one of the movies with “The fountain”.. because by my belief effects also depend on the cinematography.. and the effects in the fountain incorperate very minimalistic CG and more of maro photography..
If u havnt watched it might i suggest watchin it and reading about the effects and how they were made..
November 18th, 2009 at 2:59 pm
Where is Rashomon, 8 1/2, Persona, PickPoket?!?!??!
November 20th, 2009 at 3:38 pm
This list is BAD… Best cinematography? What about Tarkovsky, Felllini and for example 2001?