Top 10 Stunning 20th Century Operas
Published on March 17, 2008 - 46 Comments
Many of you will know (and many won’t) that I spent a number of years studying opera and performing professionally as an opera singer. In my years in the field I was always most moved by classical music of the 20th century. It is a shame to know that so many people are unaware of the fact the classical composition continued well beyond Mozart and right up to the times in which we currently live. In order to share some of the most beautiful music of the modern times which I came across in my studies, I have put together this list of the top 10 modern operas. Be sure to listen all the way through each clip.
Philip Glass is a prolific American composer who writes in the minimalist style. This opera is the third in his trilogy which comprises the lives of Einstein, Gandhi, and Akhnaten. Whilst the music is incredibly repetitive, the more you concentrate the more you hear subtle changes which, in a sense is an aural illusion, leads you to hear other melodies floating out. Glass has written an immense amount of music for films, including the score for Kundun and The Hours.
Duke Bluebeard’s Castle retells the story of the Gilles de Rais - a monstrous serial murderer from the middle ages in France. The story in the opera is considerably different from the true story, but Bartok manages to fill every bar with menace and horror. This is about as close to a horror movie as you will ever get with opera. I was honored to play the part of Duke Bluebeard alongside the talented singer Ellen Watts and it took me many months to return to normal life after spending so much time entrenched in this dark music.
I hope that this entry will make readers smile - it seems so strange to see an airplane on stage and people singing about how they enjoyed their flight. John Adams is a master of minimalism and he has written a number of operas based on modern events. This is probably his greatest work and no doubt the one he will be most well remembered for. Adams is an American composer.
Be sure to listen beyond the recit to hear the beautiful aria sung very well here by Dawn Upshaw. This opera has the very typical thin “classical period” feel that much of Stravinsky’s later works had. Despite the thin nature of the music, his extraordinary talent for harmony makes it a stunning and rich opera; in my mind, perhaps the greatest of the 20th century.
Unfortunately I could not find a clip from Life with an Idiot, but I was able to find a great recording from the Faust Cantata by Schnittke. The Cantata was later extended in to a full length opera - his second. In this clip we hear the typical style of Schnittke - using instruments such as electric guitars, and jazz drums. Schnittke was a brilliant orchestrator and it is clear in this clip and in his opera Life with an Idiot. If you like 20th century music, or are just curious, you can not go wrong buying CDs by this astounding composer.
The clip above is the Helicopter String Quartet, the third scene of Mittwoch aus Licht (”Wednesday from Light”). Stockhausen wrote this monumental series of seven operas (one for each day of the week - lasting over 29 hours) based on three counterpointed main melodies. This quartet is probably the most controversial piece written by Stockhausen and while it seems shocking at first, when you get to know his music you can appreciate it much more. I recommend Monday from Light as a good primer to Stockhausen’s opera style. You may be a little surprised to hear that there is no vocal music at all here - Stockhausen took opera to a whole new level in which instruments could also be used as voices alone.
Here we see Leontyne Price sing Summertime. You will probably not hear a better version of this song. I do not generally consider this a piece of high classical opera, but it has such widespread popularity that it deserves a place on this list.
Berg was part of the second Viennese school along with Schoenberg (his tutor) and Anton Webern. While the three composers all worked a great deal with serial compositions (the concept of mathematically determined music based on a strict set of rules) - Berg was the one who really managed to produce beautiful flowing melodies from it. In this shocking opera in the third scene we see the meeting of the main characters with Jack the Ripper. Above we have the first scene.
When this opera was first performed, it was banned by the Communist government who referred to it as “Chaos instead of Music”. The story tells of Katerina Izmailova who has an affair and ultimately ends up in Siberia. It is a chilling tale with equally chilling and emotional music. A must see/hear for any opera buff - even those who don’t appreciate 20th century music will like this.
My first choice for Britten was Billy Budd (having sung the role of Billy I am biased) - but I simply could not find a clip on youtube. Instead I have chosen Turn of the Screw which is probably Britten’s best known opera. Benjamin Britten is undoubtedly Britain’s most brilliant vocal composer of the 20th century.
Stunningly beautiful is the best way to describe this opera by American Composer Aaron Copland. In this recording we hear Dawn Upshaw (ignore the image in the clip). This opera is based on the lives of a family in the Midwest of the United States - devised by Copland after viewing photographs of families suffering through the depression.
Tender Land - Copeland
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1. Brandon5am - March 17th, 2008 at 3:52 pm
another sweet list
2. Phender_Bender - March 17th, 2008 at 4:01 pm
I’m not that in to opera, but a good list nonetheless.
3. jfrater - March 17th, 2008 at 4:06 pm
Thanks guys - it is a topic after my own heart
4. Csimmons - March 17th, 2008 at 4:18 pm
Not a big opera fan, but i loke this list!
5. JwJwBean - March 17th, 2008 at 4:19 pm
Ran through them really fast. I am happy to get some new culturing.
6. Lorcan - March 17th, 2008 at 4:45 pm
I was so unprepared for Leontyne Price’s rendition of Summertime, you’re right, it is the best version I’ve heard. Man, what a voice! Also like Dawn Upshaw’s voice. I’m a big fan of Philip Glass, I know some people find him hard to take, but there’s something that always gets me in his music, it’s very emotive.
Cool list!
7. Brandon5am - March 17th, 2008 at 4:52 pm
howd i get first on both lists today, Csimmons your slacking
8. Du - March 17th, 2008 at 5:10 pm
love the list
love the site
its so fun to just read up about random topics that you probably will never dig deeper into.
very very interesting =D
9. jfrater - March 17th, 2008 at 5:15 pm
I have replaced the clip for Akhnaten so you can hear some of the singing. I also forgot to mention that it is sung almost entirely in Ancient Egyptian (the only opera of its kind).
10. Troy - March 17th, 2008 at 5:19 pm
Sadly, I don’t know too much about opera. I think I move toward classical more so than anything. I must say that I have written down a few of the names and works from the list and will consider buying them. Thanks J for the great site and list.
11. jfrater - March 17th, 2008 at 5:27 pm
I have also replaced number 3 with a clip with more vocals.
Troy: You definitely won’t regret buying any of the operas mentioned on this list- I guarantee it!
12. Hans - March 17th, 2008 at 5:27 pm
I’m a voice performance student, and i’m always glad to get some new opera’s to listen to. You should definitely add “Flight” by John Dove to the list. If you don’t know it, go and get the soundtrack. It is my altime favorite opera. The main role is a countertenor but it is surprisingly beautiful. Great list…if you love opera so much, do more lists!!
13. warrrreagl - March 17th, 2008 at 5:39 pm
I feel somewhat responsible for this list, and I highly approve!!
14. jfrater - March 17th, 2008 at 5:43 pm
warrrreagl: as well you should!
Hans: thanks! I will definitely check it out! There are other opera lists on the site but I would certainly like to do more in future.
15. Ravyn - March 17th, 2008 at 5:46 pm
very nice list. very nice indeed
16. dahnz - March 17th, 2008 at 5:55 pm
Wow what a great list! good to see you put something up you absolutly love! Hopefully it will plant seeds into others (like myself) and get them more “cultured” and interested in such an understated art!
17. Mom424 - March 17th, 2008 at 6:07 pm
Beautiful Jamie! Going to turn me into a cultured blue-blood before too long. Seriously the only ones I am familiar with are Stravinsky, Gershwin, Britten and Copeland. Good job.
18. goof_ball - March 17th, 2008 at 6:35 pm
Corny Joke!!!!
What’s the difference between opera and Oprah?
An ‘E’ and an ‘H’!!!! DUH!!!!
Told yo it was corny…
19. dahnz - March 17th, 2008 at 6:53 pm
goof_ball: your such a … goof ball… hehe
20. Aarohan - March 17th, 2008 at 8:53 pm
A sincere request: Please make the RSS feed only display the first item in a list and not the whole list one at once, like it was before as it kinda spoils reading it.
21. kerrick - March 17th, 2008 at 9:03 pm
opera. gross.
22. JonnyB - March 17th, 2008 at 9:19 pm
Ok. Not to sound too picky or rude, but the lists on this site are starting to get pretty stale and lame. Seriously, top 20 operas of the 20th century? Could a more boring title possibly be conceived?
Just my opinion.
23. JonnyB - March 17th, 2008 at 9:21 pm
10. My mistake.
24. Idreno - March 17th, 2008 at 9:29 pm
Absolutely not! I cannot agree with some of these selections.
First of all, Phillip Glass has no business composing, let
alone does he deserve to have his name on a list here.
Although I am a huge fan of Copland, “The Tender Land” does have some exquisitely beautiful and heart wrenching music, but it lacks personality and doesn’t translate well on the stage.
Nixon in China…maybe…John Adams is a brilliant composer.
I can live without Stockhausen and Schnittke.
Operas that should be included are:
Vanessa - Samuel Barber
Antony and Cleopatra - Samuel Barber
Wozzeck - Berg (most agree that Wozzeck is superior to Lulu, although I love both)
Susannah - Carslye Flloyd
West Side Story - Leonard Bernstein (yes, it IS an opera)
Candide - Leonard Bernstein (also a true opera in it’s last revised state in 1989)
Jenufa - Leos Janacek
Dialogues of the Carmelites - Francis Poulenc
Die Frau ohne Schatten - Richard Strauss
Moses und Aron - Arnold Schoenberg
The Ghosts of Versailles - John Corigliano
25. Lizzie - March 17th, 2008 at 10:05 pm
JonnyB: Perhaps you’d like to submit a list on a subject that interestd you?
The variety of information on this site is what makes it so interesting and entertaining. There’s always room for more!
26. Lizzie - March 17th, 2008 at 10:06 pm
bugger, typo. *interests*
27. torn and frayed - March 17th, 2008 at 11:43 pm
What!? no Tommy? Best opera of the 20th century!
28. Lizzie - March 18th, 2008 at 12:04 am
Great list, thanks Jamie. I think opera is one of those things that is an acquired taste, but I am always open to suggestions. I have made a note of #10 as a must get (I thought it was beautiful), but the others didn’t grab me unfortunately. I’m afraid I’m more partial to Gilbert and Sullivan.:)
29. stormy617 - March 18th, 2008 at 3:47 am
JonnyB: Considering that J studied and sang opera I think this is a very appropriate list.
Open up your mind to something new.
There is no way to please every person with every list. I just don’t think that it can be done.
30. Ian - March 18th, 2008 at 4:59 am
Second the comment who suggested ‘Flight’ to be checked out- it’s a lot of fun though I certainly wouldn’t put it in a top list of 20th Century operas (also, technically, it’s a 21st century).
I would’ve subbed Grimes in for Screw- as the first English language opera to enter rep since Purcell. And no Janacek! Though props for Glass, Lulu and Nixon.
And West Side Story, while probably one of the best musicals ever written and a masterpiece in its own right, is certainly not an opera.
Great list though.
31. Mikerodz - March 18th, 2008 at 5:35 am
Being a drop out, this is one of my means of learning thing I should learned earlier. Here in ListVerse, I realized that there are ocean of things I need to learn and one of them is this topic. Thanks for the list,JF.
32. Randall - March 18th, 2008 at 9:11 am
Jamie, this is a hell of a list… even though I’m not at all a fan of Philip Glass.
I’ve heard bits and pieces of many of these though… very nice choices.
33. Mathilda - March 18th, 2008 at 10:44 am
Another great list, which I cannot wait to listen to when I get home. I’d like to mention an opera that I thought was really good; Dead Man Walking by Jake Heggie. I’d highly recommend it to anyone who gets a chance to see it. Additionally, some people might appreciate that it’s in English and it’s a contemporary setting and story (it’s based on the experiences of Sr. Helen Prejean, just as the movie of the same name was.)
I saw Billy Budd last season; we are lucky because our opera company has a lot of newer operas to go along with the standards.
34. magnidude - March 18th, 2008 at 11:45 am
I don’t get operas but I love Glass’s music. It’s beautiful and powerful yet simple and Akhnaten’s one of my favourites. Thx for including it!
35. Idreno - March 18th, 2008 at 2:36 pm
Ian, West Side Story IS an opera. So are pieces like Sweeney Todd and Evita. Jesus Christ Superstar is an oratorio. Most people don’t know this because they associate that music from the popular, non-classical point of view (which, in itself is not wrong), however, structurally speaking, all of those pieces fit the operatic/oratorio genre, especially when you consider that there is no dialogue - everything is sung.
Although I never knew Bernstein in my own life, I studied conducting with one of Lenny’s very close friends - an assistant condcutor of the NY Phil during Bersteins tenure there. We talked often about the debats concerning Lenny’s stage music…the facts have always been the same. Bernstein wanted to be recognized most for his compositions, although his abilities as a conductor managed to eclipse his image as a composer. Bernstein never set out to write ‘light music’ - everything he did, even comedy, was written with utmost seriousness and he expected people to take his music seriously.
He, like many other composers at the time - Richard Rogers, Gian Carlo Menotti, and others - knew that it would be very difficult to get his music performed in the mainstream opera houses. Most theatres were interested in being repertory houses and didn’t intend to commission new works unless it was for a specific occasion (the opening of the Met in 1966, for example - and we know how much Barber and his music suffered at the fate of the opera industry - it was one of the reasons he didn’t write as much opera as he intended) but then would inevitably drop the new piece from the repertoire. Berstein sought to find another way to ensure his theatrical compositions would find longevity - he took his cue from Gershwin and Rogers and found Broadway as the solution. In the 50’s and 60’s he turned out dozens of stageworks - some like Peter Pan were always considered somewhat inferior because it served him more as a way to earn a living rather than art - but his masterpieces: West Side Story, On the Town, Candide, and A Quiet Place - were always considered by the composer to be serious works of art. People have often mistaken Bernstein’s comic genius and abilities as a reason to discredit his stageworks as mere ‘musical theatre.’ It is evident that in a work like West Side Story - one of the most difficult and advanced scores that calls for an enormous orchestra: much larger than any other “Broadway Show” - or a work like Candide which began as a simple musical in 1956 but was ultimately revised to accommodate a full orchestra and virtuoso singers that these pieces have characteristics that set them far apart from the typical and traditional “Broadway Musical.”
Do not be fooled by Berstein’s liberal use of various dance and latin rhythms, heavily percussive, and rhythmically driven music. Opera is NOT a boring art form and Bernstein strove to combine many non-operatic elements with traditional operatic structures and he wanted to make sure that his audiences would return to him and keep his shows in the theatres! We must remember that people like Rossini and Verdi had done very similar things to ensure their personal successes!
Dead Man Walking is an outstanding piece.
36. JasonSampson - March 18th, 2008 at 5:12 pm
I really like these lists.
JFrater: what about Hindemith’s Mathis Der Maler? I know the opera itself is not that famous, (the orchestral version is more widely known) but Hindemith’s writing had a real message. (Of course he did both the music and the libretto)
37. jfrater - March 18th, 2008 at 5:16 pm
JasonSampson: Thanks for mentioning Hindemith - I sang in his Long Christmas Dinner and enjoyed it a LOT - not easy music to get your head around, but great stuff when you do.
38. Ian - March 18th, 2008 at 6:41 pm
Idreno
West Side Story has dialogue which whilst not in itself an indicator of a musical v opera, it was written for Broadway, not an opera house and has never found a place in any operatic repertory (I can’t think of any opera house which has staged it, unlike Sweeney Todd or Candide).
Evita is also not considered an opera because it hasn’t entered repertory (it certainly hasn’t been performed by any opera company). Whilst it doesn’t have dialogue and is through-sung, on the musical side of the equation it is performed amplified, uses reprises to build climax, is written for musical performers not operatic performers and is usually performed on musical stages, not opera stages. Whilst each of these things in isolation doesn’t determine whether something is an opera or a musical, in sum they do.
39. Thelonious - March 18th, 2008 at 11:16 pm
Great list! Bluebeard’s Castle and Lady Macbeth? Hell yes!
But maybe you should have stretched out the list a bit to include Janáček’s Jenůfa.
Or kick out Phillip Glass instead.
40. Idreno - March 19th, 2008 at 4:16 pm
Ian, you’re argument is not off…however, it should be reminded that Bernstein himself often chose operatically trained singers to perform his works, once he reached a position in his career where he was capable of doing so. I know for a fact that he resorted to writing “broadway musicals” early in his career to make money and get his music performed - it was not his fundamental intention. Therefore, in the composer’s intentions, West Side Story is as much an American opera as anything else.
And speaking strictly of musical form, Evita is the closest thing that ALWebber has written to an opera. It does not need to be performed by an opera company to actually be considered an extention of the operatic form.
41. Brian Moo - March 19th, 2008 at 10:55 pm
You guys should link to Chairman Dances for Nixon in China.
http://www.youtube.com/watch?v.....re=related
42. Aaron - March 20th, 2008 at 9:46 pm
I’m really developing quite a taste for opera. I am already, from that short clip, entranced with Duke Bluebeard’s Castle. The story is very Edgar Allan Poe-ish in nature, the music is dark and beautiful, exactly the sort of music I yearn to hear.
Unfortunately I have not yet had the pleasure of seeing an opera performed live, as soon as I am old enough to, I shall have to take myself to see one.
I would also consider Les Miserables to be an opera, the score is very operatic in nature, it is entirely song through with the possible exception of one or two words. Though of course this is not a list of EVERY 20th century opera, as that list would be very long indeed, as shown by the many other suggestions added to the comments.
Thanks for a great list!
43. pricetm - March 22nd, 2008 at 9:21 pm
Great list JFrater!! I also spent the better part of my life training to be an opera singer! Some good 20th century operas were omitted though!
Susannah- Carlisle Floyd
The Medium- GianCarlo Menotti
The Ballad of Baby Doe- Douglas Moore
Amahl and the Night Visitors- Menotti
Just naming a few!
44. Judit - March 26th, 2008 at 1:00 am
Another great list Jamie.
Duke Bluebeard’s Castle is of course my favourite, although maybe I’m biased. The opera, and playing Judit effected me for a long time too. Unforgettable.
45. mezzalyrica1184 - April 1st, 2008 at 1:35 pm
not a Menotti fan, are we jfrater?
46. jfrater - April 1st, 2008 at 1:41 pm
mezzalyrica1184: Hey! Not true! I love the Medium and the Telephone! Consider him 11
Judit: Thanks
We are both in the same boat over our extraordinary performance of such a great opera
Maybe we can reprise our roles when I return!