Due to the controversy of the first list, this one was not compiled to merely tie up loose ends, but to reexamine an alternative of not only compilations, but original and adapted film scores. Here they are in descending order:
Howard Shore created one of the funkiest soundtracks of his career at the behest of Tim Burton for this luscious comedy, turning the Waltz from Carmen into a symphonic requiem without equal.
Darren Daronofsky had his breathtaking film complimented by the intensely beautiful work of Clint Mansell and the Kronos Quartet, that merges with the film’s scenery in an Olympian amalgam of grace and meticulous style. A modern classic. Note: the video pictures are not from the film.
One of the most inspirational and historically accountable scores in cinema, Maurice Jarre composed an epic soundtrack that oozes with themes of rebellion, paranoia and revolution. It remains one the most honorable Oscar-winning scores in history.
Philip Glass’s hypnotizing score served as a brooding alternative to the original film’s lack of a soundtrack, and the Kronos Quartet make the most of their efforts. With every descending third note we spiral along in to the darkness of the film, helping it to regain its eerie essence.
“Moon River” won a well-deserved Oscar after becoming the highlight of this film’s majestic score, contributing to the greatest songs recorded for the screen. It’s beauty and grace continues to resound after forty years, and the swelling choral motif adds to an already moving score.
Clint Mansell at his peak with an angelic leitmotif that grows grimmer as the film progresses; a triumph. Once you have seen this film you will never forget the theme and the images it evokes.
A theme that everyone from the 80s will remember well. By the masterful John Williams – little else needs to be said really.
Again by the great John Williams – there is not a person alive who has access to cinema who won’t recognize this theme. The crowd reaction in the live recording above says it all. The end-all be-all in science fiction scores, legendary in its own time as well as ours.
Leonard Cohen’s songs are rightly regarded as among the most prestigious in history, and the ones contributed to this film are no less important or seminal. If you haven’t heard the songs in this film yet, make the effort. You will not be disappointed by their depth, clarity and beauty.
F.W. Murnau’s film contains one of the greatest scores in silent film history, and remains a legend for the dance of Mephisto alone, a morbid chorus resounding hauntingly through its vital, imaginative scenery. It’s importance is not to be forgotten. Modern film would not contain the same amount of innovation without this or any of Murnau’s contributions.
You didn’t think I would forget, did you?
Contributor: F. McClure




















Check out ‘Cinematic Orchestra Man w/ the Movie Camera 8′ on you tube…absolutely marvelous track.
no American Psycho
Pretty good list, but I could never have left out Blade Runner. Vangelis has never sounded better
Noice list. I’ve heard a lot about McCabe and Mrs Miller but nothing about its soundtrack…
Not for this list – but I must give a shout out to one of my favorites — lead Talking Head, David Byrne
Oscar for co-writer original score Bertolucci’s The Last Emperor
Most music from Wall Street (some Brian Eno)
Many, many more – he’s probably one of the most used composers in film, TV, advertisements
(almost matched by my beloved Kinks)
Woodstock and the Koyaanisqatsi trilogy. The scores ARE the films.
I don’t see the theme from Shaft on your list, smithstar4.
Requiem soundtrack? Ok…..
i totally agree with requiem being one of the best soundtracks ever. its is just so…. breathtaking, so awesome, yet depressing (due to the context of the soundtrack in the movie)
Winter: Lux Aeterna, is the best song. followed by Summer: Summer Overture.
What about Forest Gump? Can’t forget the part where Jenny is trippin out about to jump with Freebird blarring in the background.
Also, Fear and Loathing in Las Vegas? Pretty good track there too.
I would have liked to seen PULP FICTION on one of the lists, and how about BROTHER WHERE ART THOUGH
70. The Grey GOAT
- that scene with Jenny is like a song you can’t get out of your head – only EVERY time i hear it i see the junkie then her going on to the balcony
mmmmmm.. the soundtrack to The Fountain was good, yes. The film itself though…. can’t say so.
The Soundtrack to the movie “Orlando” with Tilda Swinton is quite good, as is the movie.
Wow, you missed Prokofiev’s score to Alexander Nevsky. That soundtrack has been ripped off so many times in other movies. If you hear it I think you’ll agree that it may be amoung the best sound tracks ever written.
Can we just get it straight that there is a difference between “soundtrack” and “score”? The music in most of the films on the list are “scores” because they are written expressly for that film and composed scene-by-scene to move the film along and evoke various emotions. A soundtrack is a collection of songs used for the film, not necessarily original recordings expressly for the movie. A lot of the suggestions people are posting in their comments are soundtracks. Including Dazed and Confused, Pulp Fiction, School of Rock…Although the Bee Gees did write their songs specifically for Saturday Night Fever, but not all songs in the soundtrack were like that, some already existed. Just thought I’d point that out. Thanx for indulging me.
Serenity (the Firefly movie, otherwise known as the BDM)
I think this list is actually worse than the first one. Different people just have very different opinions on what makes a great soundtrack i guess. i agree with Steve d. Most of these are scores, not soundtracks.
Yes! Requiem for a dream soundtrack is amazing!!!!
Ah, Yes, But WHAT ABOUT SUPERMAN: THE MOVIE!?!?!?!
THAT’S ANOTHER CLASSIC JOHN WILLIAMS SCORE THAT SHOULD BE HERE AND BE AT LEAST NUMBER 2 OR EVEN THE BONUS!!!!!!!!!!
Joe Dirt has an awesome soundtrack.
Doctor Zhivago, one of my favorites…ah, memories. I want to hear the others, but am off to another meeting!
These are more “film scores” than “soundtracks”. I understand “Soundtracks” are about music by bands…
Again the great Badalamenti ignored (sigh).
I am very happy to see Leonard Cohen on this list, although I prefer the soundtrack from the Natural Born Killers because I haven’t seen the movie Mcabe and Mrs Miller. However when it comes to great soundtracks, I also have to mention Jesus Christ Superstar (1973), Yvonne Elliman has an amazing voice.
Jean de Florette, All of the music is so emotional
Mellafe(83) – oddly enough, our author DID say as much in the intro: “Due to the controversy of the first list, this one was not compiled to merely tie up loose ends, but to reexamine an alternative of not only compilations, but original and adapted film scores.”
What, no Rocky Horror Picture Show? =D
i havent seen the movie in awhile but i remember that the music in shindler’s list added to the emotions i felt while watching it.
and if you like classic rock, forest gump would be such a good soundtrack. does anyone know if they make them one for the movie?
I would have to take issue with the dismissing (comment 23) of the CLOSE ENCOUNTERS soundtrack. It is a hell of a lot more than just those 5 notes. Some of Williams’ best dramatic scoring, bar none. Listen to samples over at iTunes or Amazon; tracks like “Stars and Trucks’ or “TV Reacts”; some suspenseful and iconic music. Remains one of my favorite soundtracks to this day.
BTW, I’m not sure I get the “Everyone from the 80s” comment as the film is from 1977, same year as STAR WARS.
And I’d do two lists: one for “songtracks” and the other for soundtracks (orchestral/song-free). I have a lot of both, and I have favorites in each category.
Some I would tip into soundtracks:
GLORY (James Horner)
THE INCREDIBLES (Michael Giacchino) (just about anything of his)
ADVENTURES OF BARON MUNCHAUSEN (Michael Kamen)
BATTLESTAR GALACTICA (new series/Bear McCreary’s work)
THE BLACK HOLE (John Barry)
BLADE RUNNER (Vangelis)
BRAZIL (Michael Kamen)
CONAN THE BARBARIAN (Basil Poledouris)
The HALO Series (Martin O’Donnell & Michael Salvatori)
The INDIANA JONES Series (Williams) (RAIDERS is still the best)
IRON MONKEY (James L. Venable)
THE ROCKETEER (James Horner)
STAR TREK: THE MOTION PICTURE (Jerry Goldsmith)
STAR TREK II: THE WRATH OF KHAN (James Horner)
STAR WARS (Take your pick) (Williams)
WATERWORLD (James Newton Howard)
2001: A SPACE ODYSSEY (Various)
Songtracks would include:
Flash Gordon (Soundtrack from the Motion Picture) (Queen)
Yellow Submarine (The Beatles)
Shrek (all?) (Various)
Six Feet Under (Various)
The Rocky Horror Picture Show (Curry & Meatloaf, mostly)
I have more Songtrack favorites, but those are the ones that come to mind.
Steve d #76, thanks for clearing that up, it should be in the introduction.
Notable omissions for movie scores, no Bernard Herman(Vertigo), no Tangerine Dream(Sorcerer), no Ry Cooder(Paris,Texas).
For soundtracks Cadillac Records, 8 Mile, Cabaret, and for crying out loud, what about A Hard Day’s Night?
A few more: Georgia, Magnolia, Laurel Canyon, Box of Moonlight, I Am Sam
Harry Potter and Legend should have been added as well. Got both on my iPOD.
This Is Me:
I have all of those movies and/or soundtracks! I played Dr Frank-N-Furter in the play version of Rocky Horror at the Roadhouse Theater and have seen the movie (in theaters) 314 times to date!
“23. astraya – January 22nd, 2009 at 5:00 am
7 Dracula – I am trying to figure out what a “descending third note” is. Musically and English gramatically, there are several possibilities, none of which makes entire sense.”
He’s talking about the tritone… link follows:
http://en.wikipedia.org/wiki/Tritone
- This is me…
I LOVE RHPS! The entrance of Dr. Frank -n- Furter is one of my all time favorite scenes.
Movie soundtracks are surely the most underrated of all the arts which go into making a movie great, or a failure.
This list shows how some otherwise mediocre movies were made into wonderful movies on the strength of their soundtracks.
Philip Glass’ choice for the silent Dracula was brilliant! Then, those of you who have been around awhile know my love of, and my personal story of, my connection to Glass’ music.
Clint Mansell’s music for Requiem for a Dream could not be more perfect. It finds it’s way into your heart and mind and latches on; becoming part of both the picture and you at the same time. You carry both away with you. Just hearing a few notes of the music brings back flashes of the movie behind your eyes, and you relive moments of utter beauty.
FW Murnau’s soundtrack for Faust was as terrifyingly beautiful as the story. I don’t know why I find Faust beautiful as well as terrifying; perhaps it’s because I have always associated him with some of the most magnificent music ever written.
Saturday Night Fever. Now this one…well…I detested the disco age, yet I loved Saturday Night Fever and the entire soundtrack! What I hated about “disco” was the clothes, the hairstyles, the shoes…but the music was okay. The music was okay.
John Williams soundtrack for Close Encounters was pretty good. In some places it bordered on magnificent. But here’s my problem with John Williams. He is America’s Andrew Lloyd Weber.
They churn them out. I don’t feel any emotion behind their music.
I know, I know…if I want to criticize, try doing it myself.
So not the point.
Both of these men are talented enough for any four normal mortals, but they betray it by formulaic piece after formulaic piece.
~sigh~
I wrote the above 4 hours ago, and before i could hit ‘submit’, my husband asked if I wanted to take a drive up the coast. So we did. Up through Big Sur, through thee thick rainy fog, and beach combing on Sand Dollar beach in that same rain and fog, and you know what?
Nothing matters.
Everything is beautiful and perfect.
I come home to my house in the woods, just minutes from the ocean and it’s perfect.
And all of those pieces of music are perfect.
How about the theme song from the original Exorcist movie (with Linda Blair)? The soundtrack was haunting and unusual and was even overplayed on the radio for a while.
O Brother Where Art Thou? Still has the best soundtrack I’ve ever heard. Far, far better than Star Wars.
What about “The Graduate”? That movie had some of the most memorable songs of the 60′s…
76. steve d
DEAD ON
I saw the pattern that was forming, people mentioning tracks that had some of there favorite recordings in them.
I think it’s easiest to explain with a visual –
a score involves a composer and live musicians in a recording facility – the music is designed to follow the action or emotion and accent that action, help create the emotion of the film in real time, almost subliminal.
tracks are usually – not always – used in period movies – picture a director, writer, best buddy, whatever sitting with lists of dated songs playing them to the footage and seeing what fits.
A score is a unique work of art, If done well.
A track is somewhat less – but I would point out that some movie people are much better than others.
Some that come to mind – Martin Scorsese, Quinton Tarantino, the Cohen brothers.
All of them or their associates are so good at picking period songs that shape the scenes – it truly is a talent.
My one problem with the list is that it has both scores and soundtracks. When I think of soundtracks, I envision more of a compilation of tracks which may or may not have been intended for the movie not the accompanied music. IMO i think there should be three separate lists; one list for soundtracks, one list for scores and a separate list for musicals/Disney movies.
anyone ever heard of the movie jaws?
What about The Wall or Zabriskie Point?
WHERE IS HOOK!?!!?!?!?!?!!?!?
I just wanted to double-ditto on
The Nightmare Before Christmas
and
Pee Wee’s Big Adventure
works of Art by the Elf-man!
Sadly – and I’m not a Tolkien geek – but I do think LOTR should be up there. I had the privilege of hearing the NZSO play it live with a choir along with other pieces like the Jupiter Symphony – it was fan-tab-lous.
fight club, GOOD WILL HUNTING, the lion king
what about There Will Be Blood? excellent work from Jonny Greenwood
I’d love to see ‘Flight of the Valkyries’ in a similar list in the future. It was used in Apocalypse Now and the recent film, Valkyrie.
I personally really love the sound track to “Apollo 13″ very inspiring. Especially “reentry & splash down”
THE GRADUATE
99. Brosiusjb – January 22nd, 2009 at 3:31 pm
O Brother Where Art Thou? Still has the best soundtrack I’ve ever heard. Far, far better than Star Wars.
agreed… it’s a brilliant soundtrack, and fantastic movie
Shawshank REdemption
i think the idea of a great musical score is how moviegoers recalls the movie or a particular scene of a movie just by playing the music in their head. listen to every john williams composition and you’ll get what i mean.
Noone mentioned
Braveheart.
Where is Donnie Darko!?
I listened to the ten scores with my eyes closed, thinking of them as musical pieces, and not part of a movie. I must say, Requiem for a Dream and Faust were stunning.
I would also like to add my vote for The Nightmare Before Christmas.
The “sound tracks,” (or mixed tapes as someone called them
) that I love and listen to the most are O Brother, Where Art Thou, The Harder They Come(reggae), and Woodstock. I also thought the Doors songs included in Apocalypse Now were excellent choices and really lent a mood to the film.
In neither of the lists for film soundtracks, I’m amazed that Pirates of the Caribbean hasn’t been mentioned. My personal favorite is The Curse of the Black Pearl. Have a listen sometime – The best tracks on there are The Medallion Calls and He’s a Pirate.
segue (97)
“Nothing matters.
Everything is beautiful and perfect.
I come home to my house in the woods, just minutes from the ocean and it’s perfect.
And all of those pieces of music are perfect.”
It sounds like you had a beautiful day. I also live on the coast, but farther north (Eureka). My dogs are both beach lovers, so we three have wondersome adventures in the fog, too. I moved here from Colorado because I love the ocean so much… It is magical to me. Unfortunately, Eureka was as far south as I could afford to buy a house near the shore, so it’s always too cold for swimming. As soon as I lose some weight, I’m going to but a wetsuit! (and a boogie board!)